Quotes About Artists

Why this lack of penetration as to their personal affairs in men whose business it is to penetrate all things? Perhaps the mind cannot be complete at all points; perhaps artists of every kind live too much in the present moment to study the future; perhaps they are too observant of the ridiculous to notice snares, or they may believe that none would dare to lay a snare for such as they.

The really staggering production costs at the major studios were not the salaries of the artists, but the Croesus-like bonuses handed out to executives at the end of each year. In the thirties an unbelievable 20–25 per cent of the net earnings of the majors went to remunerate a tiny handful of production chiefs, studio owners and New York executives.

We did the Dope Jam tour in the spring and summer of 1988—besides me, it was Biz Markie, Boogie Down Productions, Doug E. Fresh, Kool Moe Dee, and Eric

So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.

I've always loved that, on all the Dylan and Springsteen and Marley and Neil Young reissues that they've done: It's so cool to hear alternate versions and how the song started in their mind.

Veteran performers are dying off, and new acts simply aren't emerging on the national scene.

I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'

Artists have different stages in their career, from George Michael via Wham! to people like Kylie. A change of perception is what's needed.

It's about supporting the many talented artists and filmmakers out there trying to create work from that marginalized point of view. Go out and buy tickets to their movies and plays, support their crowd sourcing campaigns, show the industry that there is a viable audience for this work.

Some of my favorite artists are Jason Mraz, Eric Hutchinson, Ben Folds, Bruno Mars, Mumford and Sons, Maroon 5 - their vibe is slightly different from all the pop stuff on 'Glee,' although some do fall into that genre.

I wanted to make a reggaeton record. So I sent the record to Ozuna, and he killed it. Then I felt like I wanted to add a more female vibe but still keep some Spanish touch, so I asked Selena and Cardi, and it all came together.

I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.

I think people that came out originally, like 2Pac, Biggie, Snoop Dogg,, and even T.I. and Ludacris, they were original with their vibe, but at the same time, they were classics.

It used to take me a really long time, and I used to not be able to write in the studio because I felt there was a lot of pressure to be perfect. The more I'm collaborating with other artists, the more I realize being in the studio is about catching a vibe.

I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.

'Strong Island' is slang for Long Island, New York. And it really grew out of - what may surprise people, it really grew out of the very vibrant hip-hop scene that, you know, is located and still generates artists out of Long Island.

I was in the top 10 rock n' roll artists - up there with Sid Vicious. I always had that edge.

Philadelphia's a good science-fiction town. There are many professional writers here, like Michael Swanwick, Tom Purdom, Gregory Frost, Victoria McManus and others. There are professional artists such as Bob Walters and Tess Kissinger and Susan McAninley.

I'm trying to help Apple Music be an overall movement in popular culture, everything from unsigned bands to video.

It could be that all awful dictators are frustrated artists - Mao with his poetry and Mussolini with his monuments. Stalin was once a journalistic hack, and I can personally testify to how frustrated they are. Pol Pot left a very edgy photo collection behind. And Osama seems quite interested in video.

I've always wanted to do a video of me following a girl down the street. Michael Jackson's done it. Omarion's done it. All these male pop artists have followed women down streets in videos - it's kind of the classic thing. And I was like, there is no video of a girl following a girl down the street. I need to do this at some point in my life.

All true artists in the world from all countries and all genres are influenced by Michael Jackson. There were music videos before Michael Jackson, and there were music videos after Michael Jackson. He brought such a huge change in the marketing and positioning of the music video.

I'm a huge fan of Geffen records. Everything about them - their artists, their videos, their marketing.

Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube and Dre and Mary J. Blige and TLC.