Quotes About Tradition

Was it possible that Warriors had been mistaken in their view of Magic all along? Could there be another way of looking at things, other than the Warrior way?....Wish's world view was spinning upside down, and that is always a difficult moment.

When the end of the world comes, I want to be in Cincinnati because it's always twenty years behind the times. —Mark Twain

They turned, wiping back sweat-dampened hair. Their grandmother had a cantaloupe cut up into thick slices. She had arranged the slices on a metal cookie sheet.

Lord'. I help the pastor unload the car and carry stuff to a cake stand right next to the train tracks. He installs me there, as caretaker of the cake stand, and – get this – I have to wear a fucken choir gown. Vernon Gucci Little, in his unfashionable Jordan New Jacks, with fucken choir gown.

Things men have made with wakened hands, and put soft life into are awake through years with transferred touch, and go on glowing for long years. And for this reason, some old things are lovely warm still with the life of forgotten men who made them.

He toasted his bacon on a fork and caught the drops of fat on his bread; then he put the rasher on his thick slice of bread, and cut off chunks with a clasp-knife, poured his tea into his saucer, and was happy.

Lads learn nothing nowadays, but how to recite poetry and play the fiddle.

One may go against convention, but one must keep up tradition.

The ancients thought it shameful to seek advancement or want to be the head of something, or the chief or senior.

Firing the sunset gun

Our Catholic church here split into three pieces: (1) the American Catholic Church whose new Rome is Cicero, Illinois; (2) the Dutch schismatics who believe in relevance but not God; (3) the Roman Catholic remnant, a tiny scattered flock with no place to go. The American Catholic Church, which emphasizes property rights and the integrity of neighborhoods, retained the Latin mass and plays The Star-Spangled Banner at the elevation.

Our ancestors move along with us, in underground rivers and springs too deep for chaos to reach.

Grandma turned her TV to thunderous volume and told me I mumbled. She was still an "Edge of Night" fan. Sometimes I'd grab a Coke from the refrigerator and slump down on the couch with her, slurping intentionally from the bottle. "I hope you don't sit like that in school," she said. "It's unladylike.

It is important for children to learn that they are the sum of those who have come before them.

Evenings after the dishes, Grandma hobbled around the house with her frayed prayer book which was held together with rubber bands. Then she'd settle in front of the television to watch her westerns—"Bonanza," "Rawhide"—while I sat out at the kitchen signing corny get-well cards to Ma and pages of complaints to Jeanette.

I didn't like having Grandma there. She slept on a cot in my room and boiled all our suppers. It was unsanitary, she said, the way Daddy drank right out of the water bottle and then put it back in the Frigidaire.

I see great things in baseball.

Base-ball is our game: the American game: I connect it with our national character.

The tradition of the oppressed teaches us that the 'state of emergency' in which we live is not the exception but the rule. We must attain to a conception of history that is in keeping with this insight.

The tradition of the oppressed teaches us that the "emergency situation" in which we live is the rule. We must arrive at a concept of history which corresponds to this. Then it will become clear that the task before us is the introduction of a real state of emergency.

We have long forgotten the ritual by which the house of our life was erected.

Die Echtheit einer Sache ist der Inbegriff alles von Ursprung her an ihr Tradierbaren, von ihrer materiellen Dauer bis zu ihrer geschichtlichen Zeugenschaft.

technique of reproduction detaches the reproduced object from the domain of tradition. By making many reproductions it substitutes a plurality of copies for a unique existence. And in permitting the reproduction to meet the beholder or listener in his own particular situation, it reactivates the object reproduced. These two processes lead to a tremendous shattering of tradition which is the obverse of the contemporary crisis and renewal of mankind.

The conventional is uncritically enjoyed, while the truly new is criticized with aversion.