Quotes About Collaboration

I would say that if there is one thing we could have done better in the last 10 years under my watch, is when we launched what we called 'the new car.' It is now called the Gen-5. We just didn't get the collaboration we needed to get from the industry, the owners, the drivers, the engineers and car manufacturers.

Everyone feels a sense of ownership in creating a Lynn Shelton movie. Lynn chooses amazing people - including the crew. Every person there is committed to making the film the best it can be.

The last thing a director needs is an actress who feels an ownership towards a particular character.

You need the actors to feel as much ownership of the performance and the direction of the story as you do to get the most out of everyone's potential. Part of it is just making sure we all have the same vision.

I've worked on shows where it's fun; you want to hang out. If you're enjoying it, that's how you take ownership of it. You want to give to be a part of this thing. I feel that's the mood on the set of 'Detroiters.'

Creative people feel huge ownership of our content; we want everything to be done ourselves. But in book writing, there's a process: editors, PR people.

I prefer owning something and partnering with other people, instead of like joining something.

Anytime you get an idea, you need people to help you put it together. That is the beginning of an institution. When you create an institution, levels of authority and boundaries need to be established. If everybody owns it, nobody owns it. If everybody is responsible for it, nobody will be responsible.

We're living in an age where we should be collaborating. Because it's the Internet now. It's hard to say who owns what.

The business of music. You know, it's an oxymoron in a sense. It's like the two things. Although we both need each other, they really don't go together.

The pace and demands in any field, be it genetics, nanotechnology or cosmology, can only be met with increased international cooperation and collaborative projects.

When I play, I like to use my pace and to link up with my team-mates.

You've got Lil Uzi Vert - you do a song with him, you ain't doing nothing but gaining new fans. You gotta keep up with the time and the pace.

Whenever you get Brianna Decker on the ice, and Emily Field and Amanda Pelkey, people are just going to go fast and push the pace.

When I was asked by Pacific Comics for an original creator-owned series, my first choice of those several characters was Ms. Mystic. Since I always try to advance the work of other younger creators, I asked the young Mike Nasser if he'd like to join me in this project. He said yes. Mike created nothing!

In the past, there's always been one leader that has led the pack to development of the music.

I was never the brains behind the band - that was always Liam. But together we were a complete package.

My brother and I made a pact that every deal we do has to have a charitable component; otherwise, we don't do it.

I don't do any editing while we're making the movie. I sit down and watch it all with my editor, we make longhand notes on pads, and then we begin our work.

If somebody has a better idea than me, I'll take it if it surpasses what we have on the page because at the end of the day, it's me that takes the credit anyway!

My sketchbook is not sacrosanct, and my children would draw on one page while I drew on the other. It was something we shared.

Right now, I've never been more impressed by the new bands that we meet. I may be 10, 20 years older, but we're all on the same page about culture, music and life.

Especially in today's age, when you're in the huddle with guys from all different backgrounds and all different ages, you have to be able to lead, get everybody on the same page, and do what it takes to win.

Typically, I work with the script and the director for awhile before, just to make sure we're on the same page.