Quotes About Collaboration

I get verbal diarrhea in the writers' room. I just tell everyone a million anecdotes and stories and craziness, and we all double up on the floor laughing.

In the film industry, we work more on the basis of good faith and verbal commitments rather than legalities.

I'm more verbal and not as private as I was as a kid. I still do a form of sense memory. It honestly depends on the job. It depends on the other people you're working with, how the other actor works.

I get hit up all the time from every verified rapper with 1,000,000 followers like, 'Yo bro! You got the sauce right now. Send me beats!' Naw, that takes everything away from what I do.

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I've directed things that other people have written before, and I've written things and given them to other directors. So I'm very versatile in terms of that, and I enjoy all of it.

What's cool about wrestling is that you do find yourself working with very talented and very versatile opponents.

Me jumping on a song with Ariana Grande is just showing versatility, you know what I'm saying?

I can do a whole project with Madlib and turn around and do a record with Gucci Mane. Gucci Mane, E-40, and Black Thought on the same record. I like all those rappers, so why can't I work with them in some type of capacity? It just speaks to my versatility. I don't just listen to one type of rap. I listen to all of it so I can make all of it.

Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.

I wouldn't say I'm a very controlling person. For instance, when I talk to the actors, I don't tell them exactly what I want because I want them to surprise me. I even encourage them to change some of the verses of the script if they need to.

We play a beat for 15, 20 seconds and know if we want to get on it. When we record a verse, it's no more than 15, 20 minutes. We don't have a pen and paper. We bounce off each other.

As for my stuff, I'm just doing guest verses for other people's records. I try to stay recording, because if I don't, I get rusty.

The record Clef and I did was just sitting there. So I said, Clef, I got a record, hit a verse on it. He just went in, messed around and ended up doing the hook too.

My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.

Common would come to my house and give me a freestyle verse. I'd make a new beat for it and put it with something else. That's how I met Eminem - he came to my house back when he first started. He gave me a bunch of freestyles, and that's how we built a relationship. Everyone came to my house.

All I really want is a beat from Kanye West. I've met him, and I think he's real cool with us. If I get that beat, I'm going to rap the best verse I ever dropped - even if it's his worst beat.

I will write a verse or a story and bring it into a songwriting session, because that's what's big in Nashville - the collaborative part of songwriting.

Pitbull is, like, one of the most incredible humans. He's an amazing guy, and when we first connected on 'Fireball,' he said, 'I love it!' He recorded the verse in a day, we mixed it the next day, and it was on the radio in like two weeks after we made the initial track. That's just how he works. He's so hard working, kind, and really appreciative.

When I was 15 or 16 playing in groups, we used to sit in the car and try to write the lyrics down as a song was playing, and we'd assign each person a verse, you know: 'I'm going to do the first one. You go for the second one.' And then sometimes you'd wait an hour for it to come on again so you could finish it up.

Some artists send their verses, and others record in my studio. Depends. I prefer them being there.

I flipped Gucci Mane's 'Freaky Gurl' for my project and I thought, 'Wouldn't it be great if he could get on it.' When I got the text that Gucci recorded a verse for the song, I started screaming!

I was provided with additional input that was radically different from the truth. I assisted in furthering that version.