Quotes About Collaboration

I don't see anything degrading about marriage or homemaking, but my husband and I pool the money we earn, along with the jobs around the house.

I was never attracted to the pop world. I listen to music that is pop sometimes. But I've never thought, 'Oh, I need to work with Ne-Yo now.' It's never really been my thing.

In the future I think the labels on most pop music are going to go. Everyone keeps jumping into everyone else's space.

It's different for every song. But for 'Say Something,' I think it was Chad who had an idea on guitar, and I had an idea on piano for different songs, and we just married them together. We bounce things off each other constantly and kind of massage all these ideas into a three and a half minute pop song.

I had no problem with Ritchie. Ritchie and I never argued. We never had a problem. I think I was always able to write the things that he wanted - until he decided he wanted to be a pop star. And then he started doing pop music. And once he did that, that was the end for me.

I've got lots of friends who are musicians, so if they ask me to do things, I'll go and do it for a laugh. I don't want to be a pop star or anything like that.

I would love to work with Drake. I think he's such a pop star, and he's dropping amazing songs.

Long time ago, we used to sit around eating popcorn and drawing up plays.

People sometimes think that a video pops out of my head with no more work than extracting a booger. Every video is a challenge (an exciting one, sure, but a challenge.) Every collaboration is complicated.

I think that high art reposes on popular art, without one there cannot be another.

Eliminating global poverty will need the talent and potential of all, not just half the population.

The pig is not just pork chops and bacon and ham to us. The pig is a co-laborer in this great land-healing ministry.

The integrated automotive group of Volkswagen and Porsche is a certainty.

We should be working with the governor of Sonora to establish a commercial sea port on the coast of their state.

Port investments entail a lot of money, and having a partner who can share the risk makes a lot of sense. Often, it makes sense to have a local partner.

I always take part in the creative process of every film of mine. Gone are the days where an actor would walk into the sets, finish his portions, take the money, and leave. In fact, I've been accused of being interfering - but that's the way I am. It is important for every actor to get involved with the script.

I personally think of Linux development as being pretty non-localized, and I work with all the people entirely over e-mail - even if they happen to be working in the Portland area.

I was invited to do an all-female improv festival in Portland called All Jane, No Dick. The person running it asked me if I had a female improv team, and I just said yes and then figured out who I would want to bring with me. We had such a fun show together that we decided that we should keep doing it.

I got a portrait of Nipsey at my house, bro. I got to put a platinum plaque by that, and my brother is not here to share that with me. That's his first platinum single. We did that together.

On 'Ghost In The Shell,' I'm looking forward more to working with Scarlett Johannson and Rupert Sanders than portraying a lead!

We are not a country that subscribes to policing any part of the world. The areas we are comfortable with are capacity building, intelligence sharing, exchange of ships, call on each other's ports, joint training and exercises.

Investing in ports with partners is a very common model for us.

Each individual member of a co-operative society works with that interest which is inseparable from the new position he enjoys. Each has an interest in the other.

I like to score and create goals. If a team-mate is in a better position, you need to search for him.