Quotes About Collaboration

Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.

I grew up looking up to DJ Premier, who would have the illest hip-hop joint on everybody's album.

I'm a fan of Bjork, a fan of Premier, you know, those are the first two names that come to my mind. You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.

Premier came into the picture when were starting to make our own beats and all that.

The team aspect is what differentiates the Ryder Cup from other premier golf events.

The interaction between the goalkeeper and the back four has to be top to compete in the Premier League.

The great thing about filming a film is that you all have your final day's shooting, but you always know that you're all going to be coming back for the premiere.

Normally with film, it's normal for the screenwriter to never be seen again after finishing until the premiere.

I never accepted the premise that meetings themselves were bad.

If acting with other people is in your plans, then you need to learn how to work with other people to build a comedic premise.

When the idea of 'We' came in, it started as a 'WeBlank: WeWork, WeLive, WeSleep, WeEat.' That was the premise at the very start.

I want to be on a successful team, and I know that paying one or two or three players premium hurts your chances of being able to bring in extra talent.

When I create a character, I do it with the directors, and I take their notes and try to have my notes meet in a common ground. I don't create characters myself, and I don't really think that's my job. I'm not a prep person at all - plus, I'm just a lazy procrastinator.

I keep my focus on the team and concentrate on the best possible match preparations.

I don't come in with any preconceived ideas, and although I will have done some preparation, I can go which way the director wants.

I want every player to stay with the mentality and preparation to play together to win.

What I miss the most is the locker room, the dinners after the games. The preparation, the sense of going out there and be a team.

As a coach I need to organise preparations for the team and give informed input to captain and the team to strategise better, inclusive of every player.

It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off.

As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.

When it comes to meetings and preparing for that, it doesn't matter if it's a meeting with the U.N.; with a large operator, CEO, or chairman; or if I have an internal meeting - in all cases, I know that the energy and the engagement in every discussion is extremely important.

To point the finger at one guy, at each other or at the coaches, won't do any good. It's not supposed to be the coach. It's our team. The coaches can do a phenomenal job preparing you, but it has to come from within.

I believe chemistry is based on the trust between two performers. What actually works is something intangible - being extremely comfortable in each other's presence.

The funny thing is that when you have any form of presentation to your band, meaning you have the foresight to see outside of your creativity, you have a bigger vision.