Quotes About Collaboration

Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.

Design, art, and science are all a melange.

The Schwarzman Scholars is a program that was designed with Tsinghua University. They asked me to do something in honor of their 100th anniversary.

Our goal is always to make games that can move people, that are designed for everybody so the whole family should be able to play it together, and that bring people together and really move them in a way.

My favorite collaborator is Dane Laffrey, who designed the set for 'Once on This Island,' but we've worked together since high school, when he was my roommate.

There's no line between a designer and consumer.

As a male designer, you always need a woman's touch.

I had a lot of fun with my costume designer.

I mean, sometimes when you do a show or a campaign with a designer, you get along with them really well and you become friends. And then, sometimes, people are just a bit... weird.

On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.

The reason I wanted to work with New Look was that they wanted to stick with one designer and do lots of collections a year.

I feel like there is a different, new energy when I collaborate with a living artist, whether it be a composer, designer, lighting designer. I love that process.

I used the same designer and costume designer on 'The Eagle' and 'The Last King of Scotland.'

People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company.

There's something about the fashion world that I like, which is, I see a lot of the designers really have affection for other designers.

It's a really exciting thing to collaborate with production designers, cinematographers and gaffers and costume designers and editors and composers.

I have so many friends who are designers of color.

I have made things for Calvin Klein and other designers, and it's interesting to see the way each person approaches it.

When you have the blue screen, you've got another set of eyes, eight months down the track, designing what you should have been designing on stage with the actor.

No one ever contributed anything to my designs.

Part of making art is learning how you make it best. I'm not great at sitting down at a desk and writing for three hours. I write best verbally, talking through an idea with people, so I do my best work when I collaborate.

I work from home a lot. I think I get as much work done at the office as at home, and I'm used to working with people who don't work in the office. I don't really care where they are, even if they're on a banana leaf somewhere. If they deliver their work, I am completely fine. I don't need someone sitting at their desk to produce.

I would love to work with everyone, but I am not desperate. Things will happen eventually.

'Drama' was put together quickly; there were a lot of intense, 16-hour days. Despite the pressure, it was a lot of fun, and the end result was an album I'm very proud of.