Quotes About Collaboration

I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it.

In auditions, you're not up against anyone else; you're both going in for the role, and it's like, whoever's right for it will get it. It's simple. It's not like, 'Oh I won!' There's never that element. It is very supportive.

I walk into a scene, and I do the scene. That's my job. I don't have an objective. I have the words, and I have whoever I'm playing with.

I will work with whoever is leader of the DUP.

Whoever Boost works with, Sprint will work with. And whoever Sprint works with, Verizon and AT&T will as well.

We will cooperate with whoever is best... as long as they choose us as well. It cannot be merely unrequited love.

No matter what setting I play in, I will always be New Orleans. It's one of the only cities where you can hang out with the Marsalis family, the Neville brothers, whoever it might be, and we all play together.

Writing a comic book series, you're so reliant on whoever the artist is. It truly is collaboration.

We will, of course, work with whoever Americans decide to elect as president.

Whoever is playing with me, they participate in the arrangement; I learned from Craig Street to really pool the stories and the skill and the voices of everybody around you on the bandstand to build an arrangement in the moment.

I always like to hang out with whoever's directing and watch what they do. I hang out at Video Village, the area where the directors and the writers and script advisors are.

I usually think about titles. I'll hear somebody say something and write it down in my notes, and whenever we go into a room, somebody will start naming off titles, and whoever has the best title, that's what we start writing.

I think Passenger is a bit of an ambiguous thing because in the past, it's been a band, or it's been just me, or a duo or whatever, but I kind of like that as well. I think it's whatever that I'm doing with whoever I'm doing it with!

Having the support from everyone, the bosses, whoever within the team, definitely makes it much easier for me as a driver.

At the beginning of my career before anything started propelling, I used to blow up everybody. I was trying to work with whoever got next.

I know whoever I'll work with, will open up different avenues for me, be it Imtiaz Ali or Rajkumar Hirani, the list is endless, the amount of talent we have in our country in terms of directors is insane.

From Jay-Z to Nas to Kanye to whoever, I'm just not the type to say, 'Hey, let me get on your album.' If they want me, they're going to reach out and say, 'I need a joint from you.'

Team player, man. It's not just me out there. All five guys got to contribute, and whoever comes in has to do the same.

Whoever's hitting in front of you or behind you is going to determine how you get pitched, but there's nothing you can do.

It is very difficult to play beside Messi and whoever understands it any other way is a fool.

My appeal to the composers, whoever touches an old classic, will only be this much: take it up only if you can express it your way, too; work hard with the writers; make them see your new vision for the song; change the lyrics, yet, keep the soul of the original song intact.

I am on good terms with whoever I have worked with. We never discuss films. We discuss life and what we had for lunch!

When you're working with somebody, you work to their strengths. Do you know what I mean? It doesn't matter who it is, whoever you're in the ring with.

It's not exclusive, but inclusive, which is the whole spirit of jazz.