Quotes About Collaboration

In December of 2001, after September 11th, my wife, Jane Rosenthal, and Robert DeNiro asked me if I would help them create the Tribeca Film Festival. The idea was to revitalize lower Manhattan. We would show films on piers, in high schools. It was all about the community. We wanted it to be accessible to everybody.

I give my work to my wife first to read. Then, I try to find new people who haven't read my work before, to get a new perspective.

When I'm writing a song, it's just me and the songwriters. Then when the song is done, there are publishers that hear it, then people in my management, then my wife and my boys and my friends, and if they're all lovin' it, it's kind of withstanding all the criticism I need.

If I'm going to work, I want to work with my wife.

If you think of the ideas of open source applied to information in an encyclopedia, you get to Wikipedia - lots and lots of small contributions that bubble up to something that's meaningful.

Encyclopedias are finished. All encyclopedias combined, including the redoubtable Britannica, have already been surpassed by the exercise in groupthink known as Wikipedia.

Everything's wrong on Wikipedia.

I have always viewed the mission of Wikipedia to be much bigger than just creating a killer website. We're doing that of course, and having a lot of fun doing it, but a big part of what motivates us is our larger mission to affect the world in a positive way.

Wikipedia, every day, is tens of thousands of people inputting information, and every day millions of people withdrawing that information. It's a perfect image for the fundamental point that no one of us is as smart as all of us thinking together.

Wikipedia flourished partly because it was a shrine to altruism.

Wikipedia is kind of extreme, where a very, very small group of people contribute pretty much everything.

My personal fascination with the power of the crowd has been growing: Exactly what can a 'crowd' accomplish? We know crowds can raise billions of dollars, create Wikipedia, and even design and build small autonomous drones. But how about something large and complex like designing a new car, and maybe someday even a spaceship?

Machines and people are both necessary for Facebook, Twitter, Wikipedia, Google, and neither is sufficient on its own.

The core of Wikipedia is something people really believe in. That is too valuable for the world to screw it up.

I don't think Silicon Valley understands the power of Wikipedia, how it works, or the opportunities it represents.

Because everyone in the world has the power to edit, Wikipedia has long been plagued by the so-called edit war. This is like a house where the husband wants it warm and the wife wants it cool and they sneak back and forth adjusting the thermostat at cross purposes.

I was raised by this whole community of artists. It was pretty wild.

That's what makes it so fun to be on a team. You're sitting at your house, thinking up this wild, crazy stuff as to how it's going to go, and the other guys are sitting at their houses doing the same thing.

My secret weapon is my wife. She's the best judge. She's a scientist and a natural reader. We've developed a detailed code for how she marks a manuscript, and I think it's what saves me from wild digressions.

I've been a huge fan of Quvenzhane Wallis since 'Beasts of the Southern Wild.' To me, she's our Shirley Temple, a phenomenal talent, and I wanted to work with her as soon as I saw that movie.

Chemistry cannot be manufactured or forced, so Wild Flag was not a sure thing, it was a 'maybe,' a 'possibility.' But after a handful of practice sessions, spread out over a period of months, I think we all realized that we could be greater than the sum of our parts.

I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.

The wild thing is that when I'm in the band, I can control my destiny with four other guys. As a composer sitting in the audience, you can throw good vibes at everybody, but you can't control anybody's destiny, so it's really unsettling.

In an industry still dominated by men, working with a female director on an episode written by a woman, helmed by a female showrunner, all while doing scenes with your screen sister is like getting to see the big five at the wild animal park. It's awesome.