Quotes About Collaboration

Then they started pulling me in and I was very resistant. All the other actors would be saying write more, more dialogue for me, and I'd always be saying 'No, less, less'.

President Obama is casting his lot in the middle of a debate as old as America itself: Are we rugged individualists pulling ourselves up by the bootstraps? Or are we a nation of community, all connected and counting on one another?

I think The Czars had an identity crisis, as we were five guys pulling in different musical directions.

I really think the people I run into in the NBA, whether it's the front office side or in coaching, everybody wants to work in an atmosphere where everybody's pulling in the same direction.

When I do work, I choose to see every job as an opportunity to grow, as an actor and as a person. My favourite part of it is being part of a team, with everyone pulling in the same direction.

We've all got to make sure we're all pulling in the same direction. That's what's going to keep us ahead of the ball. As soon as we start getting in the opposite direction, that's when we start getting behind, and the results will start to show.

That's what New York is all about, pulling together.

I started producing for Pump - I produced his first songs. 'Lil Pump,' 'Elementary,' 'Johnny Dang' - all that I produced.

Anytime Pump and I make a track together, it's always crazy.

I'm really pumped about this opportunity to be with Coach Gase... with his mind and ability to lead a team. He's a good dude.

I don't know how it is in other industries, but as far as our industry is concerned, everybody takes their energy from the director. I myself was very exhausted, but I was acting as if I was full of energy and was pumping it into the whole team.

Seth Green, he and I are trying to figure out how this all came about. Because we don't remember what came first, the chicken or the egg, no pun intended. But I don't remember what came first, 'Robot Chicken' or our friendship, because we've known each other for so long.

There's nothing like working with the best actors possible, and if you have a piece of material like, 'Long Way Down' or 'Love Punch,' which allows you to play, then it's just a joy to go to work.

In order to land a punch, you need to bring your fingers together into a fist. We need to join all of our forces together. That is the only way that we can win.

That's what real punk is about - doing it yourself and building a community where people share ideas and share creativity.

In Fall Out Boy, we were all playing with our pop punk influences, so that was always within that kind of framework.

It was very punk rock for me to take a stab at working with Justin Bieber. I don't know how people portray that, or 'Climax,' for that matter. But for me, it was the most adventurous thing I could have done at that exact moment.

'Lead with LUV' is the first book I've ever done that's just a pure conversation between my coauthor and me.

'Napoleon' is pure cinema, and cinema was designed for sharing.

The magic in 'Sholay' was purely because of Salim-Javed. I didn't do anything.

I often find myself feeling that filming music is somehow the purest form of filmmaking. This crazed collision of sound and images, the intense collaboration, these incredibly cinematic performances. And for the nights you're filming, a non-player like me gets to feel somehow part of the band.

When I listen to our first album now, I can hear the purity of the oneness of leaving all earthly things aside to come together and create something. It's quite marvelous.

Don't organize for any other purpose than mutual benefit to the employer and the employee.

I don't love collabs just for the sake of collaborating. It has to be purposeful and it needs to sonically make sense.