Quotes About Collaboration

I think whether you're old or young, we're all trying to do the same thing, and it's random who we click with. Ideally, you'd want to collaborate with a Christopher Nolan or somebody like that, starting out, and build those friendships.

The big difference with 'Random Access Memories' and maybe 'Tron' is that we decided to share the experience of making music with a bigger team.

You'd never think getting four random girls together would work, but it really did.

I would have always liked to have worked with Randy Orton because of the Diamond Cutter and the RKO.

I do duets with folks like Randy Goodman, Aaron Neville, Bryan Adams, people like that.

Randy Orton and Bray Wyatt made a great team.

In a small company, you often see a lot more of what goes on in a broader range of things. And that's good.

After all, it's very important for any big-name designer to have a couture range. I leave the ready-to-wear to my partner and team.

It's possible that Generation Facebook, accustomed as it is to a whole range of experiences that it only imbibes online, doesn't have the same need for physical interaction in order to be creative as previous generations still do. It's possible that Generation Facebook can co-create and collaborate quite happily from afar.

Kanye has this discursive way of working, getting input from a range of people, that I thought was really cool.

Scott Foley was always fun because he's a very funny guy. So I liked working with him a bunch.

It's really easy to be funny. You get a lot of funny people in a room, the show is funny.

Wouldn't it be great, if there was a one-stop shop where funny people could take their ideas and have them made?

You know, directors are funny people. They live with these movies for a year or more. And when you go in to score the picture, you're fooling with their child. They want to know everything that happens to the score - and why.

I wanted to be able to bring something together and bring the car community together in a way that hasn't really been done before, especially for the fans of the 'Fast and the Furious' and that entire franchise.

I've experienced firsthand the disconnect between furniture, their environments, and the way people work.

Further, science is a collaborative effort.

Without accepting the other person's thinking, you cannot further your own interest. You need the other's help to get results.

If you want to be a director, work with writers and find different ways of telling stories with film, then do a course. This way you can consolidate what you've learnt and use the course to go further.

As film composers, what we essentially do is fusion.

Rod Lurie is one of the most wonderful directors I have had the pleasure to work with. He shoots like Clint Eastwood: no fuss. When he gets it, he knows it - one or two takes.

I grew as an actress, and I feel I gained a lot, whenever I have worked with any great director in the past.

They give us courage, but you can't play for the gallery, you have to play for your team-mates.

This is going to sound like a lie, but the 'Game of Thrones' set is so good to work on. I've been a part of plays and other projects where egos get in the way and there are constant fallings out. There's none of that there.