Quotes About Collaboration

Wynton and Christopher were really great experiences for me because they are both very gifted artists.

I've been very lucky to play with so many gifted players.

All of the directors I work with have their own unique gifts.

He asked my girlfriend if we could come over and sing some of the songs that we had written, which we did. After he heard the songs, he said that he knew someone in the record business by the name of Bob Shad.

I've wanted to produce for a long time. I'd love to get a bunch of my girlfriends together - a female writer, a female director - and create something. Creatively, it's a different dimension. Why wouldn't people want that?

I would love to work with everybody who would give me what I need.

I'm from the creative side of Hollywood. I'm up for anyone that wants to support my work. If you have eyeballs and give me a budget and are nice to me, I'm in.

I always like to assist more than scoring: it gives me another feeling; I cannot explain it.

Creative work gives you an almost indissoluble connection with people.

When everyone touches the ball, it gives you energy and life on defense.

I would be glad to share the screen with anyone as long as I love my character and the story.

I'm really looking forward to filming in Glasgow with a top-class cast and crew.

Playing two bigs out there is always a lot of fun. Banging on the rebounds, crashing the glass. It always feels better when you got another big down there with you.

Without sounding too cliche, the Internet really is the birth of global mind.

I believe that we will benefit more by globalisation.

One person seeking glory doesn't accomplish very much.

I'd rather share the glory of a hit than star by myself in a flop.

I think all the Australians have that. They're willing to give up a bit of their own glory for the better of the group.

Into The Gloss is buoyed by the people on it, the people who read it and discuss it, and the people who work on it.

If you don't have a team that can run, you have to put the big gloves on and duke it out.

I see dance as glue for a community.

If we can get everybody working or as many as we can, you would be amazed at how many of our problems will disintegrate, go away.

Reason why we've lasted so long is we write music; we get very intense. We go away from each other, do our own thing, and then we get back together.

Something that's good in the mini-culture of 'Happy Endings' is that the goal is to try and make each other laugh. There is a pretty high bar, and you want to make the writers laugh, and you want to elevate what's already great material - and also, we're like, 'Who is even watching this? Let's just go for it.'