Quotes About Collaboration

I like to learn from everyone I perform with. I have learnt a lot from Paritosh Tripathi, my co-anchor on 'Super Dancer,' and also my good friend Ravi Dubey.

I love working with Chris Carmack - he's a really, really good friend of mine.

AR Rahman has always been a good friend of mine.

Daniel Bryan is a friend of mine. It's sort of funny that the relationship that you saw between Team Hell No on screen, it sometimes goes the same way off screen as well. He is a great human being and good friend of mine, and frankly, the Team Hell No stuff helped me.

Bob Fosse, the choreographer. is a very, very good friend. He has helped me enormously.

I saw some really amazing stuff with Axl. We worked really well together. We were good friends. And I hope to perhaps have that friendship back one day, although it's not something I wait around for.

Shah Rukh made 'Devdas' for me, and I made it for him. He's special to me, and I think I am special for him. We are and will always be good friends.

It's great to work with friends. Sometimes it works out, sometimes it doesn't, but everybody goes into it knowing that. Like, 'We might be really good friends, but we might be terrible collaborators.'

Salim and Suleiman Bhai are very good friends and I would like to thank them for being a part of the song 'Habibi', and I would also like to thank the very talented Shreya Goshal Ji for my duet in the song 'Rim Jhim'.

My father and Nagarjuna worked together for 'Yuvakudu' and from then on, both of them have been good friends.

With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.

Having really good ideas comes from being able to listen to everybody else and see what their ideas are, because they're coming from a completely different place. That's always been important. It's part of being in a band.

Me and Miley just clicked. She has good ideas. She's real creative.

At a well-run company, good ideas are embraced no matter where they come from.

It's very different working with Vetrimaaran. If he's happy with your shot, all he will tell you is, 'Good job. Go do what you have to next.'

A good leader has to at some point trust those around him; otherwise, nothing constructive is going to get done.

Good music is made with the help of many musicians who express their joy in the swaras.

When I make a lot of really good music with someone, I want to let the world hear it right now; unfiltered. I don't think it has to be more complicated than that.

We're just trying to make good music.

It's usually good news when people call collectively.

A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.

I believe that if you got good people around you and they put in the work to help get you where you at, everybody should eat. No man should be depended on another man.

There's such good people out there where there filmmaking world is alive.

I want to work with good people and good directors.