Quotes About Collaboration

I share a great rapport with Siddharth Jadhav. We have worked together in a Tamil film and have been friends since then.

I am on good terms with Salman; we share a rapport, I talk to him on and off, we've met so many times, I've been to his house, and we have worked together on the sets also.

It's a very rare and fortunate position to be able to make movies with two of your best friends who happen to be really amazing actors and writers.

It's very rare that you get a director that lets you be creative and bring what you feel your character should do or should be.

It's really rare that an entire genre of music allows an artist from a different genre to come and live there.

What Beats brings to Apple are guys with very rare skills. People like this aren't born every day. They're very rare. They really get music deeply.

I think when you work with older actors, who are so good, it's rare that they are egotistical.

I'm not naive - I think it's rare in the NBA every day to actually be able to enjoy being around the people you're working with.

The only drawback is once the work is done you rarely see each other.

Rarely ever see or meet the writer during shooting.

Really racing is about the horses, not me. You can't do it without the horses, and they are the big players as are the lads who look after them, and they rarely get a mention.

My husband's a man's man, and he does guy films, and there's rarely any female parts in them, period, but we have some projects that are for me that we hope to do in the near future.

Creative projects are rarely the result of a single person's efforts.

I get to be in a room with other actors, but I never, or very rarely, get the chance to be in a room with another director.

Since then, I have worked with the group that commissioned and improved the ring and that is now preparing the construction of a second ring to increase the p stacking rate by an order of magnitude.

In cinema, I would not really rate my costar and I would not pick a project because of the costar. I would pick a project because of the director. And the script.

For me, it's important to build good partnerships rather than score centuries. Once, you have those partnerships, you will also get centuries.

People are no longer primarily in opposition, nor can they be said to be interacting, rather they are participating in this pool of common meaning which is capable of constant development and change.

Everybody is so right when they keep raving about their work experiences with Mr. Bachchan. It was a treat really. He has honed his craft to another level altogether.

When I did 'Kaaka Muttai,' I was a very raw actor. Director Manikandan brought out the best in me.

For those of us who are on the Raw brand, to hook up with the guys from the Smackdown brand is our chance to go in there and get a hold of guys that you normally don't get a chance to work with.

That raw connection between the two performers is something you can't fully plan. You just go with it and get lost in that moment and feed off of each other.

I kind of think that's the best way to operate; even when I'm in sessions writing with other artists, I'm always pulling from the kind of emotions that are the most raw in my own life and offering them up in the studio.

In a movie, you're raw material, just a hue of some color and the director makes the painting.