Quotes About Collaboration

I really believe you've gotta put the power in the people. They're the ones who are gonna make the experience.

You can have the best riff in the world, but if the drums behind it just ain't vibing it, it's not gonna be the greatest riff, right? So you've gotta have someone there that can really bring that to life.

It was a complex endeavor so without Robert Redford's constant support we wouldn't have gotten to the end.

In postscript let's just say that I am very fortunate cause I've gotten to work with a lot of great bands!

All of the directors I've worked with I've gotten along with very well.

And under our system, much like you see in the U.K., of course, a party working with another party can form a coalition and govern the country.

I think we are destined to live with coalition governments in the future.

There always will naturally be some differences when you form the government with coalition parties. Even some single party governments also face several issues.

When I was elected governor of my state, I had a legislature 87 percent Democrat. It was not lost on me that to get anything done, I couldn't be attacking them. I had to find ways to reach out to them.

Colorado needs a governor who brings people together to create jobs and cut government spending.

I will work with the governor no matter who the governor is. And I will always be Maya Wiley when I do it. That means I will call it as I see it.

Graham Yost is a genius, and I know that very well because we worked together on 'Band of Brothers' and 'Boomtown.'

It was an absolute pleasure working with Stephen Graham. I've admired his work for many years, and what he brings is that real sense of authenticity.

Most of the time I was in grammar school through high school, I was in some kind of rock n' roll band. I would say that at least 80 percent of my energy was involved with whatever band I was involved in.

One of the first country artists I got to work with was Carrie Underwood at the Grammy Awards.

When you win a Grand Prix, it's the culmination of everything coming together. Not just trackside, but behind the scenes.

All humanity share a common future, and we must work to try and shape it together. This is our duty, and it is our responsibility to our children and grandchildren.

Ziggy Marley is the third generation of Marleys I know. I knew his grandmother and his dad - I did a children's album with his grandmother. They're like family.

Whether you work with your family or someone from outside, you can't take the audience for granted.

I don't take anything for granted from any director. I am just a slave of my director.

I've gotten an opportunity to work with a lot of the people I've looked up to over the years, and I feel pretty grateful for it.

We had, like, the greatest time you could ever imagine doing 'Arrested Development.' And as grateful as we are for the careers we have afterwards, it was - we still miss it.

I love being directed, and I feel so grateful to be able to get to work with some of the directors I've worked with.

I have to say one of the most gratifying things about being in this industry for a long time is you do develop a genuine sense of community with the people you know and collaborate with.