Quotes About Collaboration

Many people think that open source projects are sort of chaotic and and anarchistic. They think that developers randomly throw code at the code base and see what sticks.

I research every part thoroughly. I talk it out with my actor friends, but then I throw it all away when I get to the set. You have to be spontaneous.

Now ballads, I can mess around and get up on somebody on a ballad. People ain't seen it yet, but I can mess around and get up in there. I've had Ruben Studdard up in my house, Brian McKnight, Tank. Every once in a while I throw down with them.

I'm used to being in creative environments where people throw out a lot of ideas.

As a print journalist, if you hear a rumour you try to stand it up and if you can't, the story dies. With a blog you can throw the rumour out there and ask for help. You can say: 'We don't know if this is true or not.'

What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.

In the studio, I'm always throwing people on different instruments.

We don't really consider it a prank show because we're not pranking other people - we're throwing each other under the bus.

Jack and I usually get together and sit around in the afternoons and start throwing ideas around.

So it's mix and match. Hold your line when you really feel something you're saying is wonderful and you really want to get this point across and prove it to your partner by just throwing it into the tape and letting it speak for itself.

I never hand in a book until it's completed. Richard Jackson then reads it and asks me to clarify murky points. We work very well together. He knows how hard to push, and I know how hard to push back. He's the only person who can criticize my work without me throwing a hissy fit.

For me, I love exploring ideas and throwing stuff against the wall and seeing what fits, and if I had a really nice collaborative team around me who could deal with the more day-to-day minutia, that would be fun. And directing sometime in the future and writing... yeah, I can see that all in my future. But I can be incredibly lazy.

You can't relax on the court with Luka Doncic. Even if you're not open, he can make Luka magic at any moment - throwing a perfect pass that somehow lands in your hands. Every game, he debuts a new move. It's crazy.

I love sitting and collaborating with people and just being creative and we are all throwing out ideas and next thing you know some magic is being made in the ring that I had a small little part in.

One of the things when you're drawing a comic book is that you're spending four or five times as long to draw it as the writer takes to write it. In my career I've had to spend a week drawing something that a writer has thrown out in an hour. And there's nothing worse than having to work on something that no previous thought has gone into.

I grew up in the Big East Conference for 30 years. We were a conference that was nothing. We were a bunch of schools thrown together and within five years we were one of the top two basketball conferences in the country.

Film is like a casserole. Everybody is thrown into a pot, and we're all in it together.

In the military, we are thrown into a melting pot of cultures and communities and we disagree a lot on how to accomplish the mission, but when it comes time to get the work done, we focus our energy on accomplishing the mission.

We tend to just think about how hard it is to never have thrown to a guy. That is true, every guy has their own way of doing things and you build a rapport with guys throughout the course of the year and throughout practice and all of that.

I am a team player - and that is what you need to be an effective point guard. You gotta see the court, you gotta set up the play, and you gotta let others execute for the most part. I don't throw elbows for the sake of throwing elbows, but if somebody throws one at me and it's necessary to respond in kind, I suppose I can if I have to.

I guess the passion I have for cinema is as strong as the one that I have for music. And I've always tried to be a character in the film, not just a composer that throws his music to the film. That's the main element that connects me with directors.

I think everyone would like to have that one guy who gets triple-teamed, and he throws it to an open guy, but there aren't many of those guys around.

Anyone that I've ever worked with, it's not like I just meet you or someone throws us together for the sole purpose of coming up with a song that's gonna be a hit. I have to have some sort of relationship, or we had to have interacted on some other sort of level and that's when it feels most natural.

When someone throws an alley-oop and you finish, everyone's happy, the one who makes the pass and the one with the dunks. It's a great play.