Quotes About Collaboration

I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.

I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything

Anybody who's a guitar player that's spent that time with another guitar player, there's nothing better than that.

We don't have to fight all the time. It can be done, and we will be great when we join together.

I think the best riffs and the best songs come when you're jamming and having a good time.

To play with a band all of the time, just about nightly, was good for me because I wrote lots of arrangements and I got a lot of my transposition and chords ironed out.

Us writers all like each other and want to write stories with each other; we're having a good time.

Neil Young played Helpless, and by the time he finished, we were asking him if we could join his band

I wanted something where I could explore comics and music at the same time.

It took me a long time to realize that you have to have a bit of an interlanguage with actors. You have to give them something that they can act with.

I was on Murder She Wrote with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared.

It's time to raise a generation of participants, not another generation of fans.

I'd worked with Marlon [Brando] a couple of times, and he was a practical joker. He was far more interested in getting jokes out than getting the words out. We laughed all the time.

An organization is a set of relationships that are persistent over time.

The Jungle Bush Beaters didn't last too long as a group, but we had a pretty good time while we did.

I'm surprised that I actually pulled off the recording, getting all those people at the same time.

Musicians coming together at a time of need is one of the great traditions in this country. It's like people taking charge.

Now Stan and I were still working in secret at that time but, because of this development, we had to inform the University of Utah because we thought that they might need to take patent protection.

We made a big mistake 300 years ago when we separated technology and humanism. It's time to put the two back together.

Everybody has an opportunity to play a role, a playmaking role, so it makes it harder to coach. It takes a little more time.

I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.

I want to go working with good people on something that's good, because otherwise it's a big waste of time. I don't have that much time.

By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band

Being in the studio is a really romantic time.