Quotes About Collaboration

Like Noel Brown and Scotty, they recorded as the Chosen Few, and I recorded as Dennis Brown then.

We recorded several of Kenny's songs in the living room of my home.

Me and Future recorded so many songs that as soon as we did 'Honest,' I liked it a lot, but I didn't see it as a single. But he just kept talking about it after we did it like, 'Man, this is big. This is big. It's gonna be a single.'

When we recorded 'Iowa,' we jammed, we went through the songs, we played as a band and we recorded as a band.

We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.

I began hearing rumors of apossible recording session with Neil Young. I was a huge fan of Neil's.

Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!

Each one of us had a little story to tell and each recording was based on that. Lou played all of the music but we both sort of kicked around some cords during the writing phase.

When it comes to the recording and writing, it's still mostly Mickey and I. But now there's this whole live entity that's a whole different thing, and it seems to be where we're gaining the most popularity.

Well, when you're recording an album, artists have what they feel like is good music, and the label, they're trying to sell the album. So those two ideas clash sometimes, but in the end it always works out. When you put the two together, that's a good thing.

The chemistry that you get from living with your band and creating music and recording with your band translates to the stage.

When you're on the road, you've got to have your four-track - or some kind of recording device to jam on and have a good time.

No one is making extraordinary things alone. They might be alone in their bedroom while they're recording or writing, but they didn't actually conjure that thing out of nothing - without influence - without assistance - without anything.

Dre's from Compton, I'm from Brooklyn, and we both wanted to make a better life for ourselves, right? And we both - somehow, we're both recording engineers, that's how we got our break.

Recording should be fun.

Honestly, recording with Faith Evans blew me away.

I want recording to be fun.

I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.

I don't know, whenever someone was like, 'Yeah, I'm going to the studio,' I just went with them. And I started recording.

If a singer wants to improvise while recording a song, he has to get the permission of the composer.

After I wrote 'Sweet Summer Day,' Jihyo did the guide recording. We did that in our apartment, revising the lyrics together, allocating parts to members and discussing the song together.

Recording with Meek Mill for me was like when Allen Iverson played with Michael Jordan for the first time.

The writing and recording process is what I enjoy, it allows me to be creative and work with different artists and producers.

I accept recording with everybody, as long as it's with a mariachi.