Quotes About Collaboration

The Fiction Writer's Co-op has 51 members, from celebrated NYT bestsellers to promising newcomers, and a waiting list.

I would love to work with Leonard Cohen, Tom Waits, B.B. King. I'd love to do something with Arctic Monkeys, Miles Kane, and The Last Shadow Puppets. If I got a call from Juliette Lewis or PJ Harvey, or Chrissie Hynde, that'd be a thrill.

I have 250 contacts, employees, and investors who, anytime they come across something relevant, will share it with me. I wake up to 10-15 links that people have explicitly recommended for me. I don't have to look for news anymore; it flows to me.

I wake up every day thinking, 'I just can't do it anymore.' There's nothing left to say, and I'm completely dry. And then I get in the room with somebody and they say the right thing, and I'm on again.

I always wanted to be in this role, as a songwriter. In the Pumpkins, it was always impossible because Corgan would wake up and write five songs. He was so prolific, there wasn't a lot of room for anyone else.

There's a fairy story called the 'The Shoemaker and the Elves' where this old cobbler keeps leaving leather out overnight and wakes up the next day, and there's a new pair of shoes. Co-authoring is a little like that. You send off the manuscript to your partner, and a few days later, you check your email, and hey, there's more book in here!

When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies to what's interesting to me at that stage in my life.

In addition, I'm finishing a track for the movie 'Waking Up In Reno', but there are numerous other singers I look forward to recording with in the near future.

It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.

There's so much hard work, dedication, and focus goes in from not just the athletes but from the coaches, officials, governing bodies, and Sport Wales. It's a real team effort, and it's rightly called Team Wales.

We walk together, we move together, we think together, we resolve together, and together we take this country forward.

Our aim may be as high as the endless sky, but we should have a resolve in our minds to walk ahead, hand-in-hand, for victory will be ours.

Negotiating isn't about getting what you want or giving in to what the other party wants. It's not an 'either/or situation.' It's about having both parties walk away satisfied. Over the years in both business and life, I've had to learn this hard lesson.

Now that I'm in 'Nashville,' the thing that I'm loving the most is co-writing. You walk into the room and you shake hands with someone you've never met before and you walk out four hours later and you've got this thing... sharing ideas and everything, it's almost magical, like a miracle.

Video game voicing is absolutely different from cartoon work. In cartoons, you're almost always there with the entire cast, and the entire script is acted out in sequence. With video games, it's you by yourself, in a room with a script you just got when you walked in.

Black Sabbath was written on bass: I just walked into the studio and went, bah, bah, bah, and everybody joined in and we just did it.

I'm looking at working with people I get on with, that respect me, that don't just see me as a piece of ass. Which I have experienced as well. I've nearly walked off very big films before, and I would, because I don't want that in my life. I want to enjoy the work I do.

Bob Fosse and Gwen Verdon intimidated us all because she walked in and was going to be the dance captain. She was a great star, but she loved that kind of work as his assistant.

Early in my career when I was with Montreal, we had a lot of good outfielders like Otis Nixon, myself, Marquis Grissom and Larry Walker. We all did the platooning thing, although each one of us could have played every day. We got everybody in the lineup, and everybody got to play.

It was great working with Paul Walker and Vin Diesel.

I have had the privilege of working with the best in the business, from photographers to designers to magazines. There's not much more to ask for but I'm still looking forward to one day working with photographers Mert and Marcus, Tim Walker and Nick Knight.

I played with Sam Lay, Jimmy Reed, Big Walter Horton, Big Moose Walker, and all those guys.

Each movie I make has its own heroes, and the two heroes for me in 'Arrival' are Amy Adams and Joe Walker, the editor. We worked very, very hard, and it was, by far, the longest editing process.

Norm Lewis, who plays Jake in 'Side Show,' and I had a song together in 'Tommy,' and I understudied Mrs. Walker.