Quotes About Collaboration

In 'Boondien' I worked with a band where everyone had their own instrument to play.

Together, often by unanimous vote, the council has worked quickly to get positive results.

In 'Billy Madison,' I worked with Adam before anyone really knew he was Adam Sandler.

My taste for rappers is very high. I've only worked with, like, Pac and Jay-Z and Scarface.

Scotty Johnson is a guy who I've worked with on a lot of my tours and albums, and I'm always blown away by his musical knowledge and playing.

Well, then we got to know each other and eventually worked out a bit of idea of management.

I worked with Busta back in the days, shoutout to the OG Busta Rhymes.

The only person I've worked with on my album was Kanye. And between the stuff that I've done and the stuff that he's assisted on and produced for me for this album, I don't even need anything else.

I spent a lot of my time working in the American module, and he would stay in the Russian segment working on his things, and we'd meet up at meal times. So it actually worked out very well.

I worked with Paul McCartney, and he was lovely.

I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.

I've worked with all sorts of random people - everybody from Metallica to Britney Spears to Ozzy Osbourne to Michael Jackson to the Beastie Boys. I've got a really strange CV. It's interesting - I work with a lot of these disparate, different people to learn what it's like to work with random people.

I've created a bridge between European electronic culture and urban American culture, and I've worked with established brands.

Well, T Bone's had a remarkable career as a producer since the time that we first worked together. He was dividing his time between recording and producing when we first met, and touring. We toured together and we were great friends.

I had worked with Pranay Dixit in a film, who also hails from Lucknow. I always wanted to cast him for some of my projects as I believe he is brilliant at his craft of an actor.

If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas.

2009 was crazy enough! I can't believe I worked with Jeremy Irons, Joan Allen, Marsha Mason, Catherine Zeta-Jones and Angela Lansbury, Jack O'Brien and Trevor Nunn in the same 12 months.

I fully trust Abbas-Mustan. We have worked together in the past, so I have full faith in them.

I worked with a guy, I can't think of his name, him and his wife, and one of them had a saxophone and the other played drums. It wasn't a regular job but I did a few gigs around home with them.

I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.

The caliber of people that I've worked with, there'll never be another 'Game of Thrones' crew, and it's a situation in which I feel truly is the cornerstone of my career.

I know I always worked hard on making sure we came out with the best possible product and of course we were working with four other people, you have to balance that as well.

When I worked with M.I.A., who was, like, the coolest person back then, she was just a girl I met on the Internet. Or even when I met Azealia Banks on Myspace, I never thought, 'Oh, she's cool.' I just loved what she was doing. So I've always been like that. And I think, as a producer, that's what you've gotta do.

We've worked very hard as a band and would like to think we've got this far on the strength of our music.