Quotes About Collaboration

Well, going way back, when we were making short films, it was just the two of us. Literally, Anna had her little camcorder and I had the boom and we were making documentaries.

When we did 'Boomerang,' which is one of my favorite scenes, the whole dinner scene was ad-libbed.

When the fans and players are united, the team is always much stronger so, when the fans really get behind us, it gives us a huge boost - and that's what we want.

Basketball Without Borders is very important.

I really believe there are no borders for science.

For me, there are no borders in music in general.

I'm not comfortable with just me, me, me. That's boring.

Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.

If my boss and my company loves working with me, we're gonna have a lot of success together.

The writer's room is super-chill - Donald, of course being my brother, helps. My boss is my brother, in a way; we can talk on a regular level.

I started playing music around 13 or 14, played jazz in high school, and played other stuff in college. After college, I tried to make it as a musician. I lived in a big squalid house full of dudes outside of Boston. We were all musicians. We built this studio in the basement and played there all hours of the day.

Certainly, the situation I was in with Boston, we had a lot of great players.

It wouldn't bother me at all not to play on my own album.

I don't break my head while working on a film or a show. The director is capable enough to bring out the best in all. So, why should I bother with anything?

I don't want to score; as long as I set people up and then they get the goals, that's all I'm bothered about.

I have always needed other musicians to bounce off.

I like to work with co-writers because I think it's really fun to bounce ideas off each other.

Bouncing ideas off people when you're thinking up comedy is great.

I love working with other people and bouncing ideas off them.

To make films, you have to have boundless energy; you have to work and play with others really, really well, and I'm really a more contemplative kind of person. I like to sit at home and think, a lot.

Vince or Brad or Benicio would say, Maybe we should try this, and Guy was open to changes.

I don't like to brag about it, but there are people I've worked with at the start of their career, and they've all become very, very successful.

It's just a great brand with great clothes. I'm just excited they asked me to be part of Penshoppe.

I like to revamp things; like, I make to make things better in my eye, but I don't put out own lines... I just collab with my favorite brands.