Quotes About Collaboration

Rehearsals are set up so that you find out all the nuances about your character. You never want to beat yourself up. It's about finding the right direction, and most of the time, the right direction is not what you think is the right direction. That's why the director's there: to guide you there.

Dance should not just divide people into audience and performers. Everyone should be a participant, whether going to classes or attending special events or rehearsals.

The actors work out how to create the show with me during the rehearsals. They owe it to themselves and each other to maintain that contract regardless of what the critics say.

It's madness to hand in a script to a director, leave them alone, and for the director not to want the writer there with rehearsals and the shoot.

I have worked with Salman a lot of times and have choreographed him earlier also. He doesn't do rehearsals; he never comes for that. He is the only actor who has never opened the door for rehearsals.

I've done films where we don't rehearse, and I've done films where we heavily rehearse. I like rehearsals.

It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place.

I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.

You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.

Many other directors, they have lots of scripts and they never rehearse as much, and you never really have time to be a part of it. With Jean-Luc, you always had time to be a part of it. It's difficult to explain to normal people.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

My current project is my band, Population 1. We are writing, rehearsing and playing in Los Angeles.

We kind of established in Sons of Apollo right from the get go that it would be a very collaborative process musically, but after that, I was going to take the reins and control everything else beyond that the way I did with Dream Theater.

As I prepare to take over the reins of your government, I ask each of you to join me in the process of governing.

The network is opening up some amazing possibilities for us to reinvent content, reinvent collaboration.

We will reinvent productivity to empower every person and every organization on the planet to do more and achieve more.

I just want to be a part of a band that will be able to reinvent themselves, you know.

People who work with me say I have a four-step response to new ideas: rejection, reconsideration, acceptance, ownership. I need to listen more patiently.

The SCO countries have been connected historically through shared commonalities, which we are constantly rejuvenating.

It never gets old. Working with somebody like Kevin Hart is rejuvenating in a lot of ways. He's such a pro. He's so good.

Nothing on 'Relapse' and very little on 'Recovery' was produced by me.

But it's cool working with female directors because I'm a girl, so you do relate to them more. You can talk to them about other stuff like clothes and all that.

I'd made these experimental films but I thought the major chore of a filmmaker was to relate to actors.

It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.