Quotes About Collaboration

What I have done is always try to be nice to work with. I make the best impression, try to do a good job... and if people hire me again, it's for the right reasons.

Taking improv has helped every other aspect of my field.

I come from a background where I like collaboration and improv. I think that it is important.

I saturated myself with the improv community.

With improv, it's a combination of listening and not trying to be funny.

There was an improv class in our high school, and we all ended up taking it and loving it. Then we just started our own thing.

You can't be controlling in improv.

There's a lot of improv in 'Girls'.

Improv has been immensely beneficial to me as both an actor and a writer.

I used to teach improv courses in Amsterdam where we would do team-building exercises, and they can go south very quickly.

In bluegrass, there's a lot of joke-telling and a lot of banter between bandmates. It's like improv or watching the 'Carol Burnett Show.'

Improv acting is not just saying the lines but connecting with the other actor.

Looking back, when my cousins and I were kids, we'd put together these little skits - these 10-minute improv scenes. I didn't really understand what I was doing - that I was writing these mini-sketches and acting - but we were all totally into it.

A lot of times when you're trying to do improv, everybody's doing a different style.

With 'The Crazy Ones,' we were really encouraged to improv and go off script.

There are a lot of things that need to be done to improve communications.

There's nothing magic about working with franchisees. What you have to do is help them improve their business.

When you are reading, someone has done a lot of work on your behalf, someone has had ideas and has then written and corrected and improved them so that they can be shared.

When you are working with Salman you learn things continuously, there is always a scope of improvement.

A lot of improvisation and freedom went into 'Pinata.'

With human beings it could be argued that all music-making is, in essence, grounded in improvisation.

What I love about jazz is the improvisation, the fact that you never know what's going to happen next.

With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.

My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writers.