Quotes About Collaboration

Working on 'Austin and Ally' has been an absolute dream! We literally have fun every single day! Whether it's scaring each other or singing together or just hanging out in each other's dressing rooms, the cast and I are super close! I feel really lucky to be with everyone on our set!

'Super 8' was a lot of fun. It was a lot of fun working with J.J. Abrams, who I think is a kid in a grown man's body, which is a great ingredient for any artist in our business. You have to be a kid at heart to be able to make believe, and his imagination is phenomenal.

I decided to launch a fragrance because Aeropostale approached me about creating one, and it's something that I kind of always wanted to do but didn't think it would actually happen. So when I heard I had the opportunity to create my own perfume, I got super excited.

Both labels are super awesome, with super awesome people who want to get stuff done. The biggest difference is that Sub Pop is already established, but working with Burger seems like we're part of something. They're growing, and I'm growing with them. They're my friends, and we're doing it together.

It's fun and super exciting to see how other people work, how other people write music, and how other people put things together. To me, it's an endless learning process, and I love doing it because everybody works so completely differently.

I've worked with Gemma Jones before, so the opportunity to re-connect with her, and for us to play mother and daughter, was superb.

Our best thoughts come from others.

There is no limit to what can be accomplished if it doesn't matter who gets the credit.

No member of a crew is praised for the rugged individuality of his rowing.

Language is a city to the building of which every human being brought a stone.

And I saw then and there you take a man half-bad and a women half-bad and put their two good halves together and you got one human all good to share between.

And there, in the wilderness, the men all moved their hands, putting out the fire together.

They knew how to combine science and religion so the two worked side by side, neither denying the other, each enriching the other.

The other men helped, and Montag helped, and there, in the wilderness, the men all moved their hands, putting out the fire together.

Over the years, they had tuned the walk, prying up an A board and nailing it here, lifting up an F board and pounding it back down there until the walk was as near onto being melodious as weather and two entrepreneurs could fashion it.

Fine fellows—cannibals—in their place. They were men one could work with, and I am grateful to them.

One writes only half the book; the other half is with the reader.

Conrad actively sought the reader's collaboration in the production of meaning, telling a friend 'one writes only half the book; the other half is with the reader' (Letters, i, 370).

An author writes only half the book. The rest is written by readers.

looking out for the other guy isn't just good for the soul; it's good for business. The

one can't really separate out any individual's contributions from those of others. Even in the context of technological change, most inventions entail the synthesis of preexisting elements rather than invention de novo. Today, at least in many critical sectors, a large fraction of all advances depend on basic research funded by the government.

One hand washes the other. Know what I mean? You scratch my back, I'll scratch yours." Yossarian knew what he meant. "That's not what I meant," Doc Daneeka said as Yossarian began scratching his back.

There was not enough of the patient to go around, and specialists pushed forward in line with raw tempers and snapped at their colleagues in front to hurry up and give somebody else a chance.

The individuals in great dyads will be very different from each other and very much alike. These simultaneous extremes generate the deep rapport and energizing friction that define a creative pair.