Quotes About Collaboration

When we write, we complement each other. We wrote six songs, Barry and I, while Robin was ill during the American tour, and they were terrible until Robin came back, and then everything worked out.

I wrote a song with Ed Sheeran that was kind of spontaneous.

We stand on our songs and we stand on the songs that we wrote for other people. That gives us a higher platform.

I wrote 'Wish U Were Here' for Cody Simpson, and he invited me to perform with him on tour and be in his music video. He was shy at first. I think it's the surfer boy in him that makes him so mellow.

I wrote a book with my mom and my sister for fun. I had no idea it would be a 'New York Times' bestseller.

I wrote for this sketch group called Olde English for about six years and we made a movie together, but we sort of stopped making sketches.

Working with a lot of people at the same time is a task. I really like making stuff and getting stuff done. One of the things I really liked about Facebook was that I could always move so quickly. I wrote the original application in, like, nine days at the end of January.

I wrote songs with the guys from Air Supply for their record... So I was just writing songs.

I wrote the tunes and sang only nonsense words. Then came Moore and dressed them with the lyrics.

I was asked by a group to write a song on the theme of brotherhood. This was before women's liberation, when brotherhood meant men and women both, so I wrote the song. Since I had always been very fond of the Passion Chorale, I wrote words to that great piece.

Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.

But mostly, I wrote songs and Viv wrote songs.

When we finally came to start work on this, the joy was it was only Joel and I, we didn't have to answer to anybody, and we didn't have to submit a screen play or anything like that. We just wrote it and then made it.

Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.

Larry only ever wrote one song, and he wrote that with Tony Kaye, I think it was, from Yes.

Steve produced Girls Grow Up Faster Than Boys and one more. Then he and I wrote a few songs together and became good friends. He was a talented producer.

I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.

It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it.

I didn't write this song. Someone was talking in a room. I just wrote down everything they said.

Although Bill Finger literally typed the scripts in the early days, he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.

Let us not let the world be defined by the destruction wrought by one virus, but illuminated by billions of hearts and minds working in unity.

No WWE talent becomes a legend on their own.

Oftentimes, WWE lives in its own bubble because it is forever moving. Oftentimes, a motion picture will live in its own bubble because they have a certain amount of time to get everything done. It's just, when you connect the two and get everything straightened out, truly, it may take a little elbow grease.

It's the beauty of WWE. We use all our platforms to cross-promote each other and vice versa.