Quotes About Collaboration

I am a filmmaker and I have no issues with anyone, I am a director and I am just here to tell a great story.

There are so many designers that I love, and I'm so lucky that I get to work with so many of them and sometimes spend time with them. As an actress, you get to go to these events and wear their things - it's fun, but it is what it is. I don't put a lot of time into it, but I respect what they do.

I guess there are very few actors that I've worked with that I would like to work with again. You never think you'll have that chance and, if we didn't do Italian Job together, there wouldn't be another one that could be right.

I get on well with Italians. Which makes things easier when I meet, for example, my future mechanics at Ferrari.

We are Italy. It's only right that there is competition in attack, like there is in every other role.

No part of Italian society should see itself as exempt from the effort to save Italy from collapse.

In the case of 'Jack Ryan,' it was a huge collaboration, and I enjoyed it very much, and most of all, I want the audience to enjoy it, too. I want them to feel immersed in this world.

Jack Bender is a real actor's director. Because he was an actor, and because he directed theater, he really enjoys that process.

The whole Jacket thing is so much about us playing together and creating this circle of power.

I talk a lot about Jackie MacMullan. Think about the trust and the equity Jackie has built with people in this game. When you watch her work, there is such a high level of respect given. It's hard to describe it, but you can see it when players engage with her.

I remember, in 2009, I had said in an interview, 'who knows I might work with Jackie Chan one day.' Seven years later I actually did.

I did a record with Janet Jackson, and it went to the top of the charts, and we had all of these complications, and she couldn't be in the video and couldn't do anything for the record. I went through something similar with Pitbull. I think it works really well for a lot of other artists, but for me, it just doesn't work that well.

I knew when I got to play with Al Jackson I would be a better bass player because he was the best drummer in the world. I worshipped him.

I have dreams of working with some of the greatest to ever do it, including Sade, Beyonce, Janet Jackson, Babyface, Smokey Robinson, and Timbaland.

I've scored all the movies that Jacques Audiard has directed. It's a long love story between us, trying to find a voice that would belong to his films only.

Sometimes you get too jaded, too seasoned. With Hellyeah, we've been having a lot of fun. From the minute we sat down in the studio, there was a lot of energy.

I would love to have Mystikal on Strange Music when he gets outta jail.

Static-X has never been a band where the four guys get into a room together and jam and write songs and all that kind of stuff.

We would play, then they would play a set, then we would jam on the last song.

When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other.

Def Jam and Roc-A-Fella were two equal entities under the Def Island umbrellas.

I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.

To me and my band, guitar riffs are what it's all about. We know that every time we jam on a great riff, we've got a fighting chance of writing a great song!

No matter what kinds of problems we might be going through, or what kinds of problems the world might be going through, music is the place where we can all get along. We can all jam.