Quotes About Collaboration

Working with Mike Leigh is a process of distillation.

I am always grateful to my team-mates at Milan for what we achieved.

I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.

When you play with Miles, you are on your own, and then it's you who decides what to contribute.

I would love to work with Shilpa again. But it would have to be for 'Dill Mill Gayye (DMG)' - that's the only fiction show I'll take up on small screen. I'm extremely faithful to that show. That apart, I'm not likely to do anymore fiction on TV for the time being.

Who's more annoying to work with, boomers or millennials? Depends on how you feel about emojis.

I went to work with George Miller on game stuff, but to also learn every possible thing I could from somebody I admire so much.

I got to know Australians well working on the 'Mad Max' franchise with director George Miller.

Mac Miller is my best friend in the industry.

The thing is, Mac Miller wrote all of 'Divine Feminine.' That was a great album.

You can have 10 bucks to 10 million bucks and if you got a crew, imagination and a lot of people willing to turn in some work next to nothing, you going to have a feature. But you can't get beyond how expensive marketing the movie is, it's so crushing.

It's 85 million dollars and they got to be really careful because they are going to need me.

When you're making a show or a movie, there are a million people and things in your way. As an actor, you're like a glorified session musician or player. You really are.

I've been told that some guy wrote something like, 'Andy Serkis does everything, animators do nothing.' Of course I never in a million years said that, wouldn't ever say that. It's not within my understanding of filmmaking to ever say anything like that.

Working with Thiagarajan Kumararaja in 'Super Deluxe' was absolutely mind-blowing.

As far as One Direction goes, and Mindless Behavior and all the other bands, I'm all for it, and if there's ever an opportunity to work with them, that'd be great.

This work is the result of a meeting of minds from two of the most successful men in their respective fields.

To get into another person's mindset and what they are trying to do with their project is a challenge, and it is what I like.

Culture is about the mindset of people, and we are very happy to have a strong combined mindset of people.

When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.

I feel fine, I don't care who the director is. All you have to do is know what your doing - all of us - everybody in the business - that's all you ask anyone - you know your job, I know mine, let's go do it.

Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people.

I started working with friends of mine and that, to some degree, continues.

I'd worked with Sam Barnett before in 'The History Boys' and he's a dear friend of mine.