Quotes About Collaboration

As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's.

Ask yourself, do you really trust the people you're working with? Do you really know hat's going on? And if you don't… find out." - Peeta

When a relationship with a director is really working, you have the same idea at the same time. You go, 'Look, this isn't working,' and they'll go, 'I know it's not working. What are we gonna do?' And you go and try something else.

There were many times during our career when he could've quit and done something else. But he knew that his power was with the Grateful Dead. He didn't want to go solo. Jerry was a groupist. He loved to group.

I'd love to do something else for Avatar after this.

I really liked them, not just Syd, but all of them. Roger was very important, I thought, his contribution. And so was Rick's organ playing. It was a good band. It became something else completely, obviously.

I'm used to being part of 'Game of Thrones' and going into something where you're a small part of something else. You don't want to hold anything up because they've got such a well-oiled machine going.

One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.

If you make something good and interesting and not ridiculing someone or being offensive, the creators of the original material will like it.

I've known Greg Berlanti from way back. I've done two shows with him, and both times, he was like, 'I've got something good for you,' and they did not disappoint.

I write best when I sort of collide myself with another man. So I think, I hope, that a combination of me and Stieg Larsson will create something good.

If you take control of yourself and you make the right cut or the right screen, then something good will come out of it.

Even if you've being playing together for years, there'll always be something new. You're constantly back phrasing, front phrasing, singing faster, singing slower.

I'm interested in good collaborations and in working with directors who bring something new and interesting out of you.

Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.

Together, we can create something new, something bold, and something to act as a check and balance to Washington's out-of-touch agenda.

I want to work with as many directors as possible because with each director, you learn something new.

When I'm in the studio with a writer, I don't mind for them to take the lead and show me something new.

I love collaborations, as every combination provides a unique opportunity to create something new.

I want to make sure that I sign dope artists, old and new, just to make sure that we come up with something new and creative.

We're not complete prodigies musically and as a band together it takes more and more work to find something new and special.

Every new director you work with, brings in something new and has perhaps cast you because your last work was good.

The thing you miss most, when you don't play and you don't coach, is the huddle. You miss the huddle. You miss the ability to walk in the room where collectively players are from everywhere. Every race, every religion, every color. It don't matter, because you've got a common goal. You're trying to be something special as a team.

Through a shared aim, shared needs, shared love of a shared result in theatre, from the creation of space... the coming-together of an endlessly repeated climax of shared performance, again and again, something special can appear.