Quotes About Collaboration

There are always things that I'd love to do. As an actor, none of them are specific; all I'm looking for are things that are good quality, that are challenging for me to work on, and even better if I get to work with people that I respect and am excited to work with.

The most important thing is that you hire people who complement you and are better than you in specific areas. Good people hire people better than themselves. So A players hire A+ players.

Thundercat, specifically, is insane. I'm always surprised at the things he comes up with when we're jamming out together. I gotta try to keep up with him and his ideas, be able to respond without speaking, and come through with some more music. He challenges me to keep it musical and not so computer.

To be successful, it is imperative that you not only know the organizations you work with, but more specifically, you have to know the actual people you work with within these organizations, understand what their personal goals and motivations are. In short, to be successful, you need to humanize your clients.

Culture is an output of a bunch of inputs that have to come together the right way. Specifically, it is the collision of people and their context, how they interact with each other in that context, and then how that context evolves based on those interactions as they multiply.

I don't claim to be a composer, and I realize my approach is pretty dopey in comparison to the true masters of score work. That said, if someone thinks what I do specifically would work for their film, then, of course, let's see what we can do.

I think my collection is doing really well, but collaborating is actually just a nice exercise in doing something different. For example, I do things very differently for Moncler that I wouldn't specifically do for me. For me, I can do whatever I want. With other companies, you have to stay responsible to them.

When I'm in a session with an artist, my job is to help execute their vision - so it's whatever story they're telling, and the news doesn't specifically affect that.

It was actually working with Kendrick Lamar that pushed me further into the act of songwriting, specifically.

I signed up for 'Brothers & Sisters' because I think it's a really great show. I like my character, and I'm really interested in what he has to do every day - and this cast is so spectacular. I really wanted to work with this particular group of people.

I'm currently working on a romantic comedy between me and Philip Seymour Hoffman. So my next step is to write something so mind-blowingly spectacular that he has no other choice but to agree to do it! Wish me luck.

I just want to work with legislative council members from across the political spectrum to get things done.

I appeal to people all across the political spectrum.

I always relish the idea of collaborating with the director on creating the sound world, the sound spectrum, and the sound environment of the film. I use every means at my disposal to create a score that is as strong and powerful to enhance the director's vision for the film.

You were taught how to do the things you needed to do. Dance, speech, fencing. They groomed people. If you were in a film, and the script wasn't working for you, they brought in screenwriters and fixed the scripts.

I would say almost 60 percent of working with Kanye - let's say 53 percent of working with Kanye - is speeches.

Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.

When you're doing a play you get to go full speed ahead, all night, in front of an audience. It's a roller-coaster ride, responding to other actors, it feeds you.

People with film careers get a whole onslaught of people they spend 12 hours a day with every three months. It's like speed dating. You've got a fast-track to social intimacy with a whole bunch of people.

Networked science has the potential to speed up dramatically the rate of discovery across all of science.

We need to focus on the speed with which local governments can work with businesses.

I've never really felt comfortable co-writing. I usually go at my own speed, you know.

The best bit of novel writing is being allowed to write exactly what you want at the speed that you want, and to include as many different people and places and times as you want, working with pretty much only one person, the editor, whose job it is to get it in good shape for publication.

If you can get more team speed, I'm all for it.