Quotes About Collaboration

You can't ask every player to do the same thing. That's why we have amazing midfielders, defenders, forwards and keepers. You can't ask them to be of the same mold.

All men like to think that they can do it alone, but a real man knows that there no substitute for support , encouragement or a pit crew.

We could say we want the Web to reflect a vision of the world where everything is done democratically. To do that, we get computers to talk with each other in such a way as to promote that ideal.

Beyond these shores, whenever two or more Irishmen are gathered together, everything almost can be done.

I had Ibra at Milan, who every day would get angry about a misplaced pass, and I told him that if everyone was as talented as him, there would be no problems.

I'm playing great music with great people and so there's no reason to stop.

That's what Joe Don Rooney and I do. He plays guitar and I play bass - and there's no reason to call it a band if you're not gonna have the guys in the band playing on the records.

With Freebass, there were no rules, really. It was all rather chaotic. Obviously, Hooky was playing the high end stuff, which he always does; Mani was doing the bottom end, and I thought I'd go midway and meet everyone in the middle.

When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.

I realized why directors are such horrible people - in a way - because you want things to be right, and people will just not listen to you, and there is no time to be nice to people, no time to be delicate.

I don't think there's a person in the industry that wouldn't love to work with Dave Chappelle. That's a no-brainer.

I want to do good stories, and I want to work with really interesting people. And if it's Noah Hawley forever, that's also amazing.

'Noah,' for me, wasn't a decision about taking on the Bible. It was about working with Darren Aronofsky.

Science today is a highly collaborative exercise, and to convert it into a contest, as the Nobel does, is a bad way to look at science.

To have a match that's an hour and 15 minutes or whatever it can be, it takes a lot of brilliant minds. Jamie Noble's one of those brilliant minds that never gets credit. Dean Malenko was one of those guys that never gets credit.

I wanted to work with Sriram Raghavan, the master of noir.

Many of us are more capable than some of us... but none of us is as capable as all of us!

None of the other guys in the band really sang, so that's when I brought Roy Clark in.

Two heads are better than none.

I don't really believe in the mystery of cinematography - what happens in the camera is what the cinematographers create and all that nonsense - I want the director to see what I'm trying to do.

We like to collaborate on everything, so we have no formal divisions on where we each like to focus, and we like to put our brains together on every aspect of a project. We just have a nonstop dialogue.

I never really approach collaborations as kind of normal things where they're arranged and they happen because you've arranged them. I've always been like this, I just have friends I hang out with, and while we're hanging out, if music happens then it happens.

Normally I'm watching people become actors in the process of making the film. It's very important you have a lot of respect when you are dealing with young people. You are in charge of everything about the process. You're an adult and they're not.

Normally, when people compose for film, you give them the film, and they look at it, and they compose it.