Quotes About Collaboration

Steve and I saw eye to eye on the story and I got the part, but I think in the beginning it was due to my brother's instigation. So I owe him for that.

Alongside the iconic 'South Pacific,' I absolutely loved working on 'Bright Star' with Steve Martin and Edie Brickell.

My harmony is passable but is usually made more eloquent at the hands of Steve Hamilton.

I always wanted to do a comedy, but I wanted to pick the right one. But it came down to working with Steve Carell. I've wanted to work with him since I met him years ago as a kid.

Steve Jobs is like a brother to me and he's one of the founders of Pixar, and when the first iPad came out, I got one right away.

When I think of artists that I would have loved to work with, it's Jimi Hendrix. And Steve McQueen. He's not a rock star, but he's kind of a rock star to me.

On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.

As far as people I'd like to work with, the list is endless. I think to work with Steve McQueen would be amazing, and then some of the U.K. talent we have: Eddie Marsan, Olivia Colman, both of whom I have met and admired for a long time. We're very blessed in this country; there is so much talent for people to work with and learn from.

Steve Martin is a legendary actor and a wonderful person to work with. He's incredibly well prepared, and funny off the set.

I worked closely with Steve Jobs for twenty-six years. To this day, for all that has been written about him, I don't believe that any of it comes close to capturing the man I knew.

I am - you know, I'm getting to do everything I've ever wanted to do, anything my imagination can think up. I'm getting to play with some of my favorite musicians in the world, ranging from Russell Allen to Billy Sheehan to Paul Gilbert to Steve Morse.

Steve took my counsel on everything. He appreciated that I loved business and let me do that end of it. We complemented each other and had a natural, fun competitiveness.

I used to jam with Steve Marriott of the Small Faces.

Getting to write a song with Steve Vai - he was my first support.

Steve Bannon was my right-hand man. He didn't like me to say it, but he was on my payroll.

When you have somebody out there that's willing to work for the team first, that's contagious. In Phoenix, I learned that from Steve Nash, Grant Hill, so many different guys. When you're playing with somebody like Steve, like Grant, that just passes on to you.

I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries.

I want to do an album with Steven Seagal.

Steven and I have worked together a lot and I'm far ahead of the curve than most people in knowing what he wants, but he knows far more than I know about what's important for the story. So, most of the changes he will make will involve story changes.

I tried to get Steven Seagal for my 'Stepfather Factory' video in 2002.

The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.

I worked with Steven Spielberg on Amistad... he seemed so very secure in himself that he let me do things.

Well, you don't make any demands to Steven Spielberg.

I've worked with Steven Spielberg three times. I'm proud to say that I'm one of those actors that continues to get hired by the same directors.