Quotes About Collaboration

You come to work because the office is a resource: The office is a place where you can meet with other people, and the office has libraries of books and information on CD-ROM that might help you with your work.

For the first two years of Eventbrite, all the work was done by just the three founders: me, my husband, Kevin, and our chief technology officer, Renaud Visage.

Fighting crime and bringing criminals to justice takes more than law enforcement officers alone.

The reality is institutions that invest in high growth have offices globally and talk across offices.

There is no better way to manage than by walking around. Autocracy doesn't work. Talk to people in their offices, find out what's on their minds.

People think, 'Well, because you're at Google, you can work from anywhere.' Yes, you can work from anywhere, but many just commute to offices... Working from the office is really important.

A close girlfriend of mine and I have been writing and playing together for years and decided to make it official, so we formed a band called 'Everly.'

If my wisdom could get support from officials, I think society would move forward 20 years.

We work pretty fast. I might be working, and I might knock out two, three songs. Quavo might come in two, three himself. Offset might come and do the same.

In this industry, there's a lot of cases of being a competitor in one way, but you're often a customer and a vendor in another way. It's not atypical in aerospace. Actually, it's not that atypical in a lot of industries.

I'd love to work with Pharrell, but it's annoying because everyone is working with him now, and you don't want to be like, 'Oh, I want to work with you, too.' But he is the dream.

Oh, I've been in love with every woman I've ever worked with.

I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, 'Oh my God, they're gonna think I'm not even gonna be able to sit at the table.' But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good.

People were always like, 'Oh my God, you're going to be working with your girlfriend? Are you freaking out? Is that going to, like, destroy your relationship?' I think it emboldened the relationship.

It is not oil or the environment, it is oil and the environment. We are living in the same world. We are not enemies.

Arnold and Jamie Lee must have worked over the years with directors that did 50 takes, because I'd get like three takes or so and say, Ok, that's it, we're done.

Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.

It's okay to have personal ambitions, but you have to take someone with you.

When everybody goes into their separate corners, it's just real easy to demonize the other side instead of saying, 'Okay, how can we come together and figure out how to get done what's important for the country?'

One of the fun things in the old days about writing with Frank Miller was that every issue of 'Daredevil' was a challenge to every issue of 'X-Men.'

Since I was old enough to understand what a songwriter/producer is, I've had a curiosity about how Max Martin creates what he creates. I wanted to see that happen. I wanted to be there. I wanted to learn from him.

It's a dream for me to work with Ron MacLean and Don Cherry as well as my old friend Jeff Marek, who I started my career with.

Of course I'm schooled in the old school method: taking what I think the director wants, then reworking it through my own brain and heart.

I come from an old school of thought where there are musicians on stage, in the house, sitting and jamming to create things. I cannot make music without live instruments. It just doesn't feel right.