Quotes About Audition

I'm not good at Disney acting. I'm really not. I never was on that audition list, which I don't mind. I don't know. I look back, and I'm kind of wiping my forehead at the thought of, 'What if I had gone that route?'

I was 3 and a half, and there was an open call for a Coca-Cola commercial. We were living around Dallas, and my mom took me. I think they were calling for 16-year-olds that could ride horses and swing a rope, and for whatever reason, my mom took me up there when I was 3. But I always had a rope, and I was a little cowboy at that age.

I remember my choir teacher in high school told me, 'When in doubt, sing loud.' I'm a terrible singer, but I always auditioned for the musicals, and would get cast in them because I really would just put it all out there. That was really good advice, and I think it works for everything, not just acting.

I definitely devote so much more time to acting, but since it only takes a day or two to shoot and get pictures out - whereas for acting, you do an audition, or loads, and you might not get any of them - so I did the modeling stuff because, obviously, if I have the opportunity, I'm going to take it.

When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.

In about 9th grade, an English teacher told me I had a talent to act. He said I should audition for a performing arts high school, so I did on a whim. I got accepted. Then I got accepted at the Julliard School, and by then, I was serious about it.

Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.

Miss Goodblatt would call on me to read. She said I had a talent. So on a whim, I auditioned for the High School of Performing Arts in Manhattan.

As an actor, you do feel very powerless... you are at the whim of the agent who submits you for a project, and then at the audition, you are at the whim of the casting director who will cast you or not.

I love Chuck Lorre. I did a little guest spot on 'Roseanne' when I was fourteen. It was a whirlwind experience in a week and I think with Chuck, I had auditioned for him for a couple of other shows of his over the years.

I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.

After my last audition for 'Game of Thrones,' they said, 'Congratulations, princess.' I was like, 'Bye-bye, call centre.'

Cheerleading was my way in. It was one of the most rigorous audition processes ever. It definitely groomed me for Hollywood.

There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.

Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.

Whenever any actor comes into a producer session, they have so many questions, and we still can't really tell them that much until they get the job.

When a producer approaches you, you think about the character, and whether you will fit into it.

I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.

Personally, I've always had to face casting directors or producers saying, 'You're right for the part, but nahh, you're not quite what we're looking for.'

I was once up for a part, and the male star was also producing the movie. They were talking about meeting with him or having an audition with him, and then we get the message, 'He wants to have dinner with you.' I said, 'Is that the audition, or is it that he just wants to have dinner with me?'

My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.

Ridley Scott was part of the production team on 'The Good Wife.' I auditioned on my iPhone, and it moved very quickly after that, as they thought I was right for the role, and pretty soon I was filming in Iceland for two months.

I was lucky - the first eight productions I auditioned for, I got cast.

When I audition for something, I don't even want to think about who the other actors are in it, who's directing it.