Quotes About Abbey Road

The first time I went to Abbey Road and put those headphones on, I discovered I had two voices. I no longer had to shout in the studio, but I can't knock the Cavern or the other clubs because they gave me my strong voice.

I remember wearing overcoats, hiding in the bushes outside of Abbey Road Studios, waiting for the traffic to clear. As it did, we would drop our overcoats and run out on to the cross walk and strike our poses.

They listened to the Beatles for most of the journey, and Hynes explained to Gackowska why Abbey Road was the band's best record, and how Sgt. Pepper's wasn't really a concept album, no matter what anyone claimed to the contrary. Then he had to explain to Gackowska what a concept album was, and a B side, until pretty soon he felt about a hundred years old and was tempted to check himself into a nursing home.

My favorite album is 'Abbey Road.' I love 'Hey Jude.'

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

When Dad heard 'The One and Only,' he said: 'That's a smash.' Dad played the demo through the speakers at Abbey Road, where we were recording. I was a huge Nik Kershaw fan and was desperate to meet him, but everyone else hated the song.

Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.

You know, Im directing a documentary about the history of Abbey Road Studios at the moment, so Ive been taken back to those times. There is a photograph of me aged three months on one of the sofas in the studio, so I was there before I can remember being there.

The last song recorded for Abbey Road was Lennon's BECAUSE - a three-part harmony in C sharp minor inspired by hearing Yoko Ono play the Adagio sostenuto of Beethoven's Piano Sonata No. 14, Op. 27 No. 2 (Moonlight).

The Beatles were working on an album called Everest (actually named after a brand of cigarettes). When it was suggested they should get the photo for the record cover taken at the actual place the album was named after - and being too lazy to travel to the Himalayas - they renamed it to Abbey Road, which was the street on which their recording studio was.