Quotes About Coltrane

When Coltrane died, a void appeared in this music that has not been filled yet. He maintained a forward motion in his work and did not look back.

I don't like totally free jazz, unless it's done by somebody like Coltrane, who did bebop and cool jazz, so he was allowed to go out there.

When I started rhyming, my favorite rhythms were from John Coltrane and some of the things he did on sax. And certain rhythms that I hear on drums, I try to emulate with my words, dropping on the same patterns that them beats or them notes would hit.

I had no clue of Hollywood until I became a teenager. Then I got a fake ID in Tijuana and discovered Shelly's Manne-Hole, on Cahuenga and Selma, where I saw John Coltrane and his piano player, McCoy Tyner, and Elvin Jones, the drummer - my idol.

If you don't have any Coltrane, 'A Love Supreme' will do it for you. It will explain everything. Even if you don't get it, it will still explain everything. That's how deep it is.

Bjork's album, 'Homogenic,' it's got beats, strings, traditional Icelandic stuff. That's my benchmark for what an album should sound like, right up there with Coltrane's 'A Love Supreme' and Marvin Gaye's 'What's Going On.'

Out of Coltrane's whole history, there are things which I think are great from all the periods.

The best route is to follow Coltrane and to love learning for its own sake. Anyone who would spend ten years absorbing the techniques and conventions of their field, trying them out, mastering them, exploring and personalizing them, would inevitably find their authentic voice and give birth to something unique and expressive.

I'm an old Coltrane disciple just like I'm a Christian.

Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.

We've now got a whole generation of jazz musicians who have been brought up with hip-hop. We've grown up alongside rappers and DJs; we've heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.

In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort.

When I first played some Coltrane-type stuff on the 'Pimp a Butterfly' sessions, Kendrick got it immediately. 'I want it to sound like it's on fire,' he'd say. That's the kind of common ground that the best jazz and the best hip-hop have.

Who ... what are they?" "My pride and glory," Alex said fondly. "Betty and Lucy Coltrane. Best damned bouncers in the business. Though of course I'd never tell them that. Fiercer than pit bulls and cheaper to run. Married to each other. They had a dog once, but they ate it.

A respectable-sized audience hasn't really been able to follow developments in jazz since the free jazz movement in the '60s. Some of them can't even get with John Coltrane. Audiences are diminishing more and more rapidly. Some of the top young musicians with something new to say can't get record companies to put out their stuff.

My dad was a huge big band and jazz fan, and we both sort of enjoyed be-bop, but man, it required so much skill to play it. And then there was cool jazz, the era that Miles, Coltrane, and Ornette ushered in, and that found a home in me. It turns out that that music was just really where I breathed.

I've been listening to a lot of John Coltrane. I don't know if that would or wouldn't surprise anybody. I go through different phases - sometimes I want to listen to music that's just pummeling.

Motion Picture Soundtrack on Kid A was another Coltrane inspiration.

I love nineties stuff like Alice in Chains and Nine Inch Nails. It'd be my dream to have a Radiohead-themed episode of 'Glee.' I also love jazz greats like Coltrane, Miles Davis, and Herbie Hancock.

A Love Supreme' is Coltrane's best-known and best-selling album.

Lots of people imagine wrongly that 'My Favorite Things' is one of my compositions; I would have loved to have written it, but it's by Rodgers and Hammerstein.