Quotes About Poetry

What you have to realize when you write poetry, or if you love poetry, is that poetry is just naturally the greatest god damn thing that ever was in the whole universe

I need about one hundred fifty drafts of a poem to get it right, and fifty more to make it sound spontaneous.

The American doctrinaire is the converse of the American demagogue, and, in this way, is scarcely less injurious to the public. The first deals in poetry, the last in cant. He is as much a visionary on one side, as the extreme theoretical democrat is a visionary on the other.

The theoretical physicist Richard Feynman was such a lauded lecturer in large part because, like Hui Tzu, he was skilled in finding the right analogies to illustrate his explanations of extremely abstract-and extremely difficult-concepts. He once compared a drop of water magnified 2,000 times to "a kind of teeming...like a crowd at a football game as seen from a very great distance." That description has all the precision of good physics and good poetry.

What color is the wind? Blew.

A kenning is a metaphorical circumlocution consisting of paired nouns or a noun phrase. For example, in ancient Icelandic verse, a sword is not a sword but an "icicle of blood"; a ship is not a ship but the "horse of the sea"; and eyes are not eyes but the "moons of the forehead." Similarly, the earth is "the floor of the hall of the winds" or "the sea trodden on by animals," while fire is "destroyer of timber" or "the sun of houses.

Comparing your beloved to a red, red rose might be fine if you're writing a poem, but these thinkers believed more exact language was needed to express the "truth"-a term, by the way, distilled from Icelandic, Swedish, Anglo-Saxon, and other non-English words meaning "believed" rather than certain.

I want Poetry and Power and the young men who create it.

miracle it is to find the right words, words that carry soul accurately

He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music.

I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world.

Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going.

Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important.

I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian.

I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention.

Religion is no more possible without prayer than poetry without language, or music without atmosphere.

Poetry is what you can't translate. Art is what you can't define. Film is what you can't explain. But we're going to try, anyway.

Plato suggested that some of the poets be driven out of the Republic because they had the power to weaken the guardians. Poets can make it impossible to have a war-unless they tell stories that agree with the "general line" established by the state. Poets who have no metaphysics, and therefore no political line, make war impossible because they have the irresistible ability to show the guardians that what seems necessary is only possible.

If, however, the observers see the poiesis in the work they cease at once being observers. They find themselves in its time, aware that it remains unfinished, aware that their reading of the poetry is itself poetry. Infected then by the genius of the artist they recover their own genius, becoming beginners with nothing but possibility ahead of them.

But all I had to show for the week was a blank sheet of paper. Maybe I could tell Ms. Gleason I had come up with a new kind of poem--the invisible kind.

In creating a "hold upon nearness" the poetic word creates a place where we can stand for a while, allowing us to bear witness to our own being.

Poetry is something to make us wiser and better, by continually revealing those types of beauty and truth, which God has set in all men's souls.

Suddenly all the sky is hid As with the shutting of a lid, One by one great drops are falling Doubtful and slow, Down the pane they are crookedly crawling, And the wind breathes low; Slowly the circles widen on the river, Widen and mingle, one and all; Here and there the slenderer flowers shiver, Struck by an icy rain-drop's fall.

However, if a poem can be reduced to a prose sentence, there can't be much to it.