Quotes About Lloyd

For Lloyd, the essence of Standard Oil power resided in its secret alliances with the railroads, which had fostered the growth of many trusts.

Life is like a musical by Andrew Lloyd Webber. Very popular and not as bad as some would have you believe. That is, unspeakably awful but mercifully brief.

I would have gone right ahead but the only thing, the only phenomenon that's going on now of course, which is different in my experiences, is that you are getting things planted in the Net by people about the Woman in White on the Net. That's not a nice change.

The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.

Well the least favourite question is the one that one's asked particularly about in Japan is what's the difference between theatre and cinema and I think, well, that's about eighty bucks.

My ancient history teacher, Millie Lloyd, should have worn a medal for her performance at the battle of Thermopylae. She was excited and we were excited.

I feel close to Lloyd in 'Say Anything'. He was like a super-interesting version of me. Only I'm not as good as him. Whatever part of me is romantic and optimistic, I reached into that to play Lloyd.

The fact is that 'The Wizard Of Oz' has never really worked in the theatre. The film has one or two holes where, in the theatre, you need a song. For example, there's nothing for either of the two witches to sing.

the real junk food is what Frank Lloyd Wright called light entertainment - bubblegum for the eye ...

It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'

Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.

I'm from the '60s, but no one has ever accused me of being a hippie. I never had much interest in the Woodstock crowd, which partied to change the world, while real people were starving to death in Africa.

One man who had known Lloyd years earlier said flatly that he "hated women.

Lloyd was obviously very bright, and I found his insights into market developments particularly useful.

To have Hollywood tell me or other women like me that we're not a market that interests them is silly. Good stories work.

What seems to be love beyond any question is usually a simple case of indigestion.

The movie and the political campaign GEMS built around it were typical of [Rachel] Lloyd's in-your-face approach to politics and publicity. "If we just framed it as 'rescuing children,' people would give us more money," she says. "I could put pictures of little scared blond kids on our Web page. But this isn't about rescuing a child from a bad situation. This is about what we, as a culture and a society, are creating; why can this be perpetuated within our society?

Frank Lloyd Wright

And we made decisions on each of those matters which were ultimately upheld by the courts.

I do quite like that Andrew Lloyd Webber song from 'Cats.' What's it called? 'Memory?' Sends shivers up your spine.

In the Realm of the Senses for May? Or something by Peter Greenaway? You have to understand, to Lloyd, film is film, it's all about technique

In this metaphor we actually have a picture of the computational universe, a metaphor which I hope to make scientifically precise as part of a research program.

In Europe, it is not so unusual for directors to move between opera, theatre, and film, and I have at least three girlfriends I can think of who have directed in all three genres.

Children's literature is as valid an art form as any other.