Quotes About On-camera

I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.

A guest chef would come in and shoot five shows in two days. Most had no TV training and little on-camera experience. They were thrown onto the air and did their shows live to tape, no stopping allowed for any reason, even small fires or bleeding.

I went to college and got my degree in acting, but because it was all theater, I really consider my first couple years on 'Mad Men' as amazing training for working in television and for acting on-camera.

When I first started, I would go to Weist-Barron, and I studied with Rita Litton and ACTeen. For teenagers, it's a really, really great school. We did a lot of on-camera stuff, so you see yourself and what you do on camera.

There are so many different aspects of my life - the on-camera aspect, the laid-back aspect with my friends and family, the career-oriented aspect, the design aspect.

I didn't really take a lot of any on-camera classes or anything like that. I really just threw all of my energy into auditioning, and I know that I basically just did things based on feedback that I would get.

I think it is fair to say that I was denied my on-camera happy ending.

Acting I never worried about, but it's so strange that on-camera work is so much more technical than theatre work, which I would have never thought in a million years.

The voice stuff is super fun and I get to be anyone, but on-camera, I get to go in with wardrobe and sets and stuff and be in an environment that's not normal, and I love that.

Though Mohyeldin's journalistic reputation continues to grow - born in Egypt, raised in Michigan, started as a gofer for NBC News, reared as a producer at CNN, first appeared on-camera for Al Jazeera in 2006 - his is hardly a household name, not in America at least.

That's what I love about the mockumentary style, is the added thing of people knowing they are on-camera, which changes your behavior. That's why we sometimes do what we call spy shots.

A perfect example is 'Zero Dark Thirty.' That's the closest thing to reportage that I've done because a lot of that was shooting from the hip and found images and giving the actors a lot of freedom to explore the space and not have to repeat their actions twice and basically workshop on-camera.

I feel like doing theatre helps my on-camera work and my on-camera work kind of helps my theatre work. So I love to be able to bounce through the mediums.

For my money, when you're doing an on-camera performance, unless it's for something particularly stylised, you are, by and large, striving for naturalism.

I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.