Quotes About Industry

I always make sure my film benefits my producer and earns him a profit.

The way I see EDM right now, it's a healthy industry for sure - minimal work for maximum profit.

On our profit margins, honestly on all our products, anything we work on in in the industry, I do not touch it unless it is double digits.

Just as the music industry couldn't combat the financial impact of digital piracy, major corporations will have to rethink how to maintain margins when many of their most profitable items can be easily manufactured at home.

As music became more profitable in the 1990s, it seemed like it attracted a lot of people who were just interested in the financial aspect of it, which is depressing.

Only one percent of artists are really profitable and successful. Beyonce is one?tenth of one percent. When we talk about what she can do, ninety-nine percent of artists can't do that.

Back when Detroit was the head of auto manufacturing, it was clear where profits were created. Right? A car was made in Detroit. There was little argument that you could make that some of the money from that should be sent overseas to Ireland.

Think about how much fashion profits from black culture and how underrepresented we are in the industry. If you insist on using black celebrities to peddle your merchandise and add a cool factor to your front row, it is indecent to not care about the plights of that person's community.

Ideally, I want my films to work because I want the people who have invested their money to get back their investment and make profits too.

It honestly affects my mental health, social media, on a really profound level. Because I'm constantly being bombarded with an image of femininity that I feel I have to adhere to. And I think there's a lot of pressure in this industry, as well, being constantly discriminated on your aesthetic appearance.

The making of music is profoundly affected by the market.

We have a mentoring and angel investing programme. We are also talking to the government to help create a VC industry.

If you work in the studio system in America, they've almost got to the point where a computer programme could write scripts. Effectively, they hire and fire enough writers until they get something generic.

Award functions are a big sham. It's a money-making television programme.

Radio is so heavily programmed; you have to fit into a certain box. So it's harder for anything different to get through.

The last thing I would ever do is try to become a network programmer.

I wasn't the best UI programmer, but I know to use the interface and that stuff. It's definitely given me a leg up in terms of being able to talk to the people in the games industry.

Whether you're looking at manufacturing and the use of robotics or the knowledge industries, they need computer programmers.

I believe that if we want to change our industry we must look beyond what we see on our TV screens and fix the bigger problems lying beneath. When it comes to racial diversity that means looking at who commissions and makes the programmes.

There are only a handful of really good TV programmes, and I'm blessed to be in one of them.

In South Jersey, as in many places around the country, we only have one cable company to choose from so there is no competition and therefore no incentive for good service, programming or competitive pricing.

Interleaf is very nice. I expect there to be a lot of competition for programs like that.

I respect the game that goes on of putting this against that, but I don't respect, nor do I enjoy, an awful lot of the actual programs that go on the air.

Like so many large companies in the U.S., Monsanto has prospered in large part due to U.S. taxpayer-funded programs and services.