Quotes About Industry

I rarely meet other young actors.

There's no big splashy renaissance in Italian films. We have good young actors and directors. What we lack are screenwriters. It's hard to write about Italy.

Among my books, the ones that sell best are for readers between the ages of 8 and 12. According to a study by the Association of American Publishers, the largest area of industry growth in 2014 was in the children and young adult category.

With few exceptions, the publishing industry has come to a consensus: if a book has a young protagonist, and if its worldview is primarily interested in the questions that crop up when coming of age, then it's a young adult novel.

I came to California and got signed at a young age. And it's not like you see in the movies, where you start rubbing shoulders with Timbaland and Pharrell, and you become a giant pop star.

That is something that my mother instilled in me at a very young age - to know my self-worth. And I have had times again and again in the fashion industry where all of that was tested and I rose to the occasion because I was told that I am worthy and I should be able to walk away from something that is not worthy of me.

I grew up with my parents in the kitchen discussing the audition my dad had that day or moaning about something or other in the industry, so it was unglamourised and normalised for me from a very young age.

Both my parents were actors and they struggled, so I was raised with that. Being raised in this industry from a young age definitely forces you to grow up a little faster than maybe the normal kid.

I was actually signed at a very young age - I was 12 - and one thing led to another, and I ended up in a mutual split from the label. But it was probably the best thing that could have ever happened, because I was able to kind of leave the industry side of it for a minute and focus on the independent side.

I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.

To be honest, when you grow up in the music business, people heard me sing from a young age, and you get offered development deals and things like that.

It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.

I actually got signed when I was 14 with Sony Sweden. Things didn't really work out with that, but I'm glad I had the opportunity to be exposed to the industry at a young age.

I mean, I've been in a very male-dominated industry from a very young age.

Working with Robin Williams, and Bob Hopkins, and Dustin Hoffman and you're talking about 'gods,' really, in our industry. You look at legends everyday. It was so impactful to me as a young artist.

For a young artist to really make it and make money is a lot more difficult these days.

When I was a young artist, I liked and was interested in belonging to the mainstream comics group. I didn't introduce myself as an author, but only as a designer.

Record contracts are just like - I'm gonna say the word - slavery. I would tell any young artist... don't sign.

I made a lot of mistakes along the way, but feel incredibly lucky to be in the position I am now and to be able to play a small part in trying to support talented, aspiring young filmmakers out there through a program like 'Interpretations' who, like me, had the desire and passion, but no connections to the industry.

The celebrity aspect is nothing short of ridiculous, and auditioning is brutal and dehumanizing. Every time I see a pretty young girl on the subway reading sides for an audition, my only thought is, 'Man, am I glad I'm not doing that anymore.' I never feel nostalgia, just relief.

Given that there was that era of girl group music and it's still very popular, but I think if you looked at the chart from that time you would see many more men on it. Because the industry, they were catering to young girls. I mean, that's what they thought their audience was.

When I was asked to be a part of 'The Face,' I was like, 'This is exactly what I do without cameras.' I didn't find it any different than what I usually do for young girls - giving runway tips or just explaining how the whole industry works - but now you have, like, 19 cameras on you, documenting you while you scratch your nose.

Women in figure skating, like in every other industry, are expected to conform to an unrealistic standard of beauty. Unhealthy habits are often encouraged to promote a thin frame, and young girls idealize a skewed definition of 'fit.'

The majority of the cocoa that we eat, it is actually produced by young kids which are being enslaved in the plantations of the Ivory Coast. Ivory Coast is the largest producer of cocoa.