Quotes About Industry

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The game business arose from computer programs that were written by and for young men in the late 1960s and early 1970s. They worked so well that they formed a very lucrative industry fairly quickly. But what worked for that demographic absolutely did not work for most girls and women.

The big money goes to kids and young men - big tent-pole movies, which are expensive but have a great return.

We come from an environment that has been created in our industry that's a 'yes' environment. Due to that environment, it has set back a lot of our youth that are not just basketball players, but young men who happen to be able to play the game of basketball really well.

My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.

Now I don't know half of the young people in the industry. It's too spread out, too diffuse.

So in those days, they were scooping up any young person who could sing and look decent, ah, at the same time.

I still have a lot to prove within the industry as a young person in the Marvel Universe.

Soap operas are such a great way to break-in to the industry. The diminishing landscape of daytime TV means it's going to be harder for young talent to get discovered.

I'm excited to be launching D'Leon Records to support other young talent in their development. I have been very fortunate to have been able to break through and succeed in this tough industry, and this is one of my ways of giving back.

The Australian film industry has recognised Tropfest as a place to nurture young talent. It's a stepping stone between amateur and professional.

If you can help someone become a good young woman or a good young man, they have a better chance of surviving in this business.

Entry-level jobs are excellent opportunites to educate young women about the realities of the financial world and can prepare them for the next move up within the firm or another area of the financial industry.

I love Amy Adams. She is wonderful. Evan Rachel Wood is a blast. I am also really excited about Ari Graynor from 'Nick and Norah's Infinite Playlist' and 'American Crime.' I think it is an exciting time for young women in this industry. I am excited to make my own path.

I am inspired by many young women, not only in my industry but across others.

I've never seen a worse situation than that of young writers in the United States. The publishing business in North America is so commercialized.

I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.

A show that no one thought had a chance has just finished its fifth year: Charmed. I think it's tougher for the younger networks, so I think they have a little more patience for the sake of the show. But who knows?

With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.

We've always been a slightly specialist interest, and as you get older, for specialist interest programmes I think broadcasters are probably looking for younger talent, really.

My father, Inder Raj Anand, was a well-known writer in the film industry but he did not want me, or my younger brother Bittu, to enter this industry. He would say it was not the place for us.

I feel the worst when people comment on my family because my younger sister and mum aren't part of the film industry.

I was India's youngest producer. I was 21 when I produced my first film. I've continued to produce films because of the people who have worked with me and supported me.

When I was a youngster, I wrote all this music - it just came out of me - and I think record executives were like, 'Oh, wow, he's a genius, let's give him a million dollars!' But the minute I started producing the records, they'd be like, 'Oh, my God, you're terrible! You're all over the place! We can't market this!'