Quotes About Industry

America stopped making vinyl and phased out the single but Germany held out and refused. Warner's never phased out vinyl in Germany. Now America imports it!

To be honest, we spent many years at Warner, and in the very beginning, there was a very passionate team that worked alongside us on a daily basis. Every year that went by, we would lose just about every single person that worked directly with us, to the point that I honestly couldn't have picked up a phone and gotten one person who knew me.

The investor world that looks at studios as part of media companies will say that the studio business is supposed to be erratic. Not at our company. Not at Time Warner.

Warner Bros. was a great label to be affiliated with. It's the best label out there, and the fact that I was with them for 20 years was just an honor.

I became merely a pawn used to produce more money for Warner Bros.

Trying to convince Warner Bros. to make a $30 million 'Veronica Mars' movie just wasn't going to happen, for understandable reasons.

You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'

Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.

The Flaming Lips have been on Warner Bros. forever, and certainly everything I heard growing up was on a major label in some way, from the Cure to Radiohead to Bjork.

I wanted to be the first female, young teenager producer, and it didn't happen. And when it finally did happen, I was shelved because I was signed to Warner Bros.

I was on Warner Bros. for a minute.

I always made the joke that I would have loved to have been a fly on the wall when Warner Brothers first put 'Tusk' on and listened to it in their boardroom as a follow-up to 'Rumours.'

I still remember most people in the industry warning me that I was not playing the stardom game and that I was becoming niche because these content films don't do big numbers.

In the U.S. there are many people willing to work on $9 per hour, which is causing Tasmania to lose its famous apple industry and Australia to import more and more of its fruit and food from lower cost countries. In fact, all over Australia there are warning signs of us killing or restricting our own industries.

I filed the MSRB Reform Act, along with Sens. Elizabeth Warren and Doug Jones, because the board that oversees the muni-bond market is too secretive and too incestuous. Its membership shares the same DNA. That means the rulebook for municipal bonds is in the hands of a board that resembles a revolving door of longtime industry confederates.

Back in the days of world wars, American companies didn't think twice about pitching in to help fight the enemy. Car companies helped bolster tanks, food companies created rations - sometimes they had to do it, but no one had to twist their arm.

It's either 'Saw' made for $4 million or 'Star Wars,' 'Star Trek,' 'Guardians of the Galaxy' et cetera being made for $150 million. So the $30 and $40 million films don't get made unless they're maybe 'Ride Along.' But I don't really know why. I don't get paid to know why.

Over the years, the diamond industry has had a devastating impact in countries such as Sierra Leone, Angola and the Congo, where profits from the sale of diamonds have been used to fund brutal wars, with disastrous effects on local communities.

As an economic historian, I appreciate what manufacturing has contributed to the United States. It was the engine of growth that allowed us to win two world wars and provided millions of families with a ticket to the middle class. But public policy needs to go beyond sentiment and history.

What can we expect from this latest crop of indie directors who have been sucked into the franchise factory? I'm especially curious about 'Star Wars,' which will feature an all-indie crew after J. J. Abrams finishes with 'Episode VII.'

Actors in the film industry are usually wary of expressing their opinions on the issues of the day, politics especially.

My grandfather was wary of me being a part of the industry for various reasons, ranging from the fact that we didn't know anybody; it was an unconventional career choice, and because he felt that I needed somebody to guide me.

The French fry did not become America's most popular vegetable until industry took over the jobs of washing, peeling, cutting, and frying the potatoes - and cleaning up the mess.

In Hollywood, they make movies like they make washing machines. It's a business. In Europe, the films are considered art. No producer would ever tell a director where to cut a film or how to re-write the script. I love Hollywood, but all of the time I have to go back to Europe.