Quotes About Industry

We've done a couple of women's mags, but we tend to talk about feminism and women in the industry, which I feel more comfortable talking about. It's a more valuable discussion than, 'Oh, you're a girl in a band. What hair conditioner do you use?' I use hair conditioner, and I like talking about it. But I don't want that to be the question.

When I was a teenager, the most valuable American companies were in finance and manufacturing.

The food industry profits from providing poor quality foods with poor nutritional value that people eat a lot of.

The future of the television industry is changing at an unstoppable rate, and it is exciting to share my experience and thoughts on how this will change the value of content in the digital space.

I've learned to put a big value on having a life outside of fashion, and I think that's what's saved me, because the fashion industry can suck you in.

In 2003, the value of Airbus's orders was more than twice as much as Boeing's.

Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.

It doesn't matter much where your company sits in its industry ecosystem, nor how vertically or horizontally integrated it is - what matters is its relative 'share of customer value' in the final product or solution, and its cost of producing that value.

Bollywood songs are losing their poetic value.

Products are valued higher than services.

The mixed martial arts industry is valued at $2 billion in America alone. It is the fastest growing sport. The unpredictability of the sport is what makes it attractive.

Why does Japan now dominate the world market for transistorized electronic consumer products, to a degree that damages the United States's balance of payments with Japan, even though transistors were invented and patented in the United States? Because Sony bought transistor licensing rights from Western Electric at a time when the American electronics consumer industry was churning out vacuum tube models and reluctant to compete with its own products.

Seriously. Books like these, they want you to conform to their style. You don't want to have to go make comics for a company that will control your work.

If you want your fridge freezer and your car, a nice house, and asphalt on the roads, and a health service, then thank the weapons business. Thank the war economy that drives us to this and thank [a major corporation]. [War] is good, good for England, and especially good for the economy. You deride the weapons business, but without it we would be a 10th rate country struggling to maintain a standard of living anywhere anywhere near that of our european neighbors.

According to a 2004 article in the New York Times, out of the 10,000 or so titles published by Xlibris since its inception, only 20 had been picked up by commercial publishers.

I skim through the issue [of Elle] and reach the offending photo, a montage that ridicules rather than glorifies our idol. It is one of the mysteries of our trade. You work for weeks on a subject, it goes back and forth among the most skillful pairs of hands, and no one spots the glaring blunder that a neophyte would spot in a second.

cannot avoid the temptation of wondering whether there is any other industry in this country which seeks to presume so completely to give the customer what he does not want.

Fabrikalar, k?rsal alan? mahvediyordu ve büyükbabam, soyut bilimlerde yaln?zca soyutluÄŸu seviyordu.

Men don't and can't live by exchanging articles, but by producing them. They don't live by trade, but by work. Give up that foolish and vain title of Trades Unions; and take that of laborers Unions.

I know for a fact that - it's just the way our biases work now in the industry of literature, but certainly a short story collection does not receive the same kind of attention as a novel.

In a pinch, I could always get work in pictures as a makeup artist.

My older siblings and I all work in 'the industry'. So obviously we have hectic schedules, but we make it work.

You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.

In the past the publishers I've worked with have been extremely generous. And in almost every case, have been people who believed in the work rather than the sales and marketing.