Quotes About Trilogy

Fear Street' subverts almost every stereotype that you can think of in the horror genre, which I love. We have a horror trilogy that's centered around a queer relationship. The main protagonist is a queer woman of color.

Everyone's clamoring for the fourth book in the 'Fifty Shades' trilogy, which makes me laugh. Just the part of 'a fourth book in trilogy' that makes me laugh, not the clamoring for the next book.

We're in the age of the series, trilogy, boxed sets.

I've been a huge fan of all things paranormal my whole life. For me, it was always a question of when, not if, I was going to write a paranormal series. I dipped my toe in the genre by incorporating a mystical curse into the 'MacCarrick Brothers Trilogy.'

I had been obsessed with the Arthurian legends all my life, and I knew that that would work its way into any trilogy I wrote. I was fascinated by the Eddas, the Norse and Icelandic legends, Odin on the world tree.

'The Red' is the first book in a trilogy that gained a big following as a self-published e-book, and is now out in paper from Saga. It introduces us to reluctant hero Shelley, a former anti-war activist who chooses to join the military rather than serve jail time after being arrested at a protest.

Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes.

I've been on 'Mastermind' - I tied for first place and then lost on the number of passes. My subject was the 'His Dark Materials' trilogy by Philip Pullman. If I did it again, I'd choose Shakespearian tragedies.

I started to think of 'Hidden Figures' as the first part of a mid-century African-American trilogy.

When we did 'The Dragons' Trilogy,' China was a big, mysterious piece of rock that we never thought would even move. It was impenetrable, impossible to deal with.

Best memories - obviously, winning a title for the first time. Probably my last fight against Gray Maynard where I was able to finish him for the trilogy. Those were definitely great moments. The worst moments are the losses, for sure.

I still feel there is a trilogy between Henry Cejudo and Demetrious, and I see that playing out in the future.

I was drawn to 'Fear Street' for so many reasons. From reading the script on day one, I could tell that this trilogy was going to be so groundbreaking in the way that it subverted stereotypes and characters.

I was drawn to the role of Deena in the 'Fear Street' trilogy because she is incredibly passionate, strong, resilient, and brave.

Wraeththu have been with me for the greater part of my life. My first rather ham-fisted (and half-finished) stories about them began in my mid-teens. It wasn't until I was twenty-six that I began work properly on the full-length novel that became The Enchantments of Flesh and Spirit, first volume of the Wraeththu trilogy, which was published in 1987. This was followed by The Bewitchments of Love and Hate and the Fulfilments of Fate and Desire.

How about 4, 5, 1, 2, 3, 6, 7? Think about it for a minute. That approach has the advantage of giving you "I am your father," and of starting with the mysteries of the two best, while treating the prequels as kind of a flashback (as you're also focused on the cliffhanger ending of 5). Then you get to wrap everything up with the real finale, and the best, before the third trilogy starts. Not a bad idea at all. A

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

I had an erroneous idea that writing a duology would be simpler than writing a trilogy because I would get to cut out the middle book. It turns out it was actually harder because 'Wildcard' became this combination of having to write a book two and three at the same time.

Of all the projects I've ever done, 'Stargate' is the only one from the beginning intended to be a trilogy. We always wanted to do parts two and three, but the thinking was they didn't want to do anything other than the TV series.

Probably the most formative experience was reading the 'Foundation' trilogy when I was about twelve years old. That wasn't the first science fiction I had ever read, but it's something that stands out in my memory as having had a big impact on me.

I wanted to do 'Texas Trilogy' on stage. But it didn't do well in New York. In fact, it did very badly there, thanks to the critics. It was said that Preston Jones, the author, died of ulcer complications, but the truth was that the critics killed him.

The Lord of the Rings trilogy restored the balance in the Force after the Star Wars prequels ruined everything that was awesome about being a nerd at the movies.

I love you, C-3PO. I love the original trilogy. But when R2-D2 runs away in the first 'Star Wars,' instead of stopping him or going to tell Luke and Uncle Owen, he hides. It's so good. He hides! He has to wait for Luke to come and tell him R2-D2 ran away. What a dork!

Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy.