Quotes About Photography

Photography can never grow up if it imitates some other medium. It has to walk alone it has to be itself.

Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.

Photographs bear witness to a human choice being exercised in a given situation. A photograph is a result of the photographer's decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.

Sometimes they are a matter of luck the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.

They'd never seen anything like it." Uecker recalls the incident, which was captured in photos. "I was better with the tuba than I was with a glove," he said. The jokes about his career flow easily, but Uecker is proud of his time as a player and the respect that he has earned from players of his era and today.

Many people send me letters in England saying, 'I want to be a war photographer,' and I say, go out into the community that you live in. There's wars going on out there; you don't have to go halfway around the world on an airplane where there are bombs and shells. There are social wars that are worthwhile.

I think that 'Ghost Rider: Spirit of Vengeance' was mentally taxing, if only because I had to go to a Christmas party shortly after I had wrapped photography in Romania at two in the morning as the Ghost Rider. The invitation had a Christmas ornament on it with Ghost Rider's face on it as a tree.

We had to pose with towels wrapped around us, holding rubber rings, that sort of thing. The turning point came when a photographer asked us to get on a fur rug and crawl like cats. We said no, because it was sexist and disrespectful.

A lot of mainstream photographers seem not to think about what they're doing or feel any responsibility toward anything. By the time they're done, the models don't have any trace of themselves left. This thing about looking young with no wrinkles or expression is all so boring, really.

I have no intention of flattering people. I like wrinkles and crow's feet and flaws, and somebody should know, if I'm going to photograph them, that's going to show up, you know?

I feed on other people's creativity, photographers, artists of every kind. Sometimes a feeling that you get listening to a song can be so powerful. I've wanted to write whole scripts around what I felt just listening to a piece of music. I think music is important, and surrounding your visual field with stimulating things.

I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.

The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.

My friend Danny Clinch, who's a photographer, gave me a big, signed, numbered print of a photo he took of Eddie Vedder in Seattle. It's hung in my writing room where I have posters of writers that inspire me. They're all pointing at me. Tom Waits is like, 'Don't sell out!'

Writing, of course, is writing, acting comes from the theater, and cinematography comes from photography. Editing is unique to film. You can see something from different points of view almost simultaneously, and it creates a new experience.

Norm looked out over the court. The workers involved in the [model] shoot darted about like trapped particles under sudden heat.

I touch up photos so people look as good in their photographs as they did in real life.

When I do see a picture of myself that has been touched up too much, I do get a bit sad... it makes me look like a hypocrite. It breaks my heart. I would rather shoot a magazine and shoot my flaws, but that's not up to me.

I don't really like reading: I like seeing and touching images.

Have you ever stayed at the Four Seasons Hotel in Mumbai? I'd warmly recommend it. It's super luxurious, and right next door, there's a classic slum. So you can do a quick slum tour and get back to your sanctuary without any inconvenience but with some excellent snaps.

When I have had such men before my camera my whole soul has endeavored to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer.

Whether it's a photograph or a piece of clothing, a leather bag or a film, I tend to gravitate towards simple, beautifully made, quietly lovely things. They make me happy.

I think I was very shy and introverted when I was younger, and yet, when I got in front of the camera or went out on the town, I was able to go out half-naked and do anything.

I had the whole 'Ghostbusters' toy set with the firehouse and the car and everything. Sometimes I'd use my grandpa's camera and make little stop-motion cartoons with those toys - I was definitely a weird kid.