Quotes About Photography

Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.

Everyone likes taking their own photos and seeing themselves reflected back.

When the shot is afterwards subjected to white light, colour appears because of selective reflection.

Once I've taken photographs, I look at them, and I get into them, and I'm there for the moment - and then that's it. I find little time for reflection.

'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.

The photo shoots were not easy. I cried and refused to do anything that would shame my mother and father.

I never used to get photographed and people asking for autographs. I don't mind the autographs, but the paparazzi I find weird. As an actor, you want to be able to regard the world instead of having it regard you.

The thing about living in Los Angeles and doing a lot of movies is that you get to go to a lot of premieres, and, regardless of whether or not you're a celebrity, you still get to walk down the red carpet and then have everyone sort of screaming your name. The pictures never get printed anywhere, but they are nonetheless taking your picture.

I always try to be nice to the paparazzi because finally, maybe one day, they won't ask for me, and I will regret it.

The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.

I have no regrets about my work. To be a photographer was a gift of the gods. I can't imagine anything that would have been better.

Basically, with a regular camera, you have to take time or allow the camera to focus before you take the shot.

I have a huge collection of cookery books, like most chefs. do I regularly revisit Michel Roux Snr's 'The Collection,' particularly for the precise recipes and because the food photography is simply beautiful.

I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.

It's the rejection that is hard. It's not the interviewing that's hard. It's not the photography that's hard. It's, you know, approaching people all day long and having a good portion of those people reject you and some of them be rude.

I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.

When a regular camera focuses physically, what the regular camera is doing is adjusting the lens relative to the sensor to bring different parts of the scene into focus.

I relax more when I'm behind the camera than anything else. I love that.

I found that photography was a great way of relaxing on the set.

I've never gotten a release from any person. I'm not a businessman; I'm on the side of common sense. Releases ruin the atmosphere of photography.

When I'm about ready to press the cable release on the View camera, I've tried to anticipate some of the challenges I'm going to encounter in the darkroom.

I've always been more of a camera hog than anything, and it's just another way to get it all out!

If I'm on holiday I want pictures of all my kids, and they're not going to stand there waiting for me to find the right light.

I'm horrendous at capturing a decent selfie.