Quotes About Pace

In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.

In Italy, it is all about tactics and playing for a result, whereas in Spain, the focus is on technique and pace. In England, the game is based on aggression and non-stop action.

I walk an hour almost every day - and very quickly - wherever I am. Sometimes I go on long, all-day hikes with friends.

Time sometimes flies like a bird, sometimes crawls like a snail; but a man is happiest when he does not even notice whether it passes swiftly or slowly.

The question is not whether we are able to change but whether we are changing fast enough.

Football is more disputed in England than it is in Italy. Every match is a very hard match because the referee doesn't blow his whistle as much as in Italy, and every team plays against each other like it is a final. I enjoy it more in England because you have to think quicker. The pace of the game is faster, so you don't have much time to think.

'Alpha' is a very fast-moving book. It doesn't lend itself to laborious introspection and the navel-gazing that some stories can fall prey to.

Every artist has different priorities. Some artists I know don't make as much music as they used to, because social media has taken over their lives. I work at what I feel is a very normal pace, and things keep clicking. It's rewarding.

The way one perceives a book and a film are totally different. You read a book in the privacy of your room. You are the boss; you set the pace and rhythm of your reading. In the movie house, you can't do that.

You have to pace yourself. As a producer, you start with a concept and shepherd it through the script to the delivery of the film. It's a very long journey for an hour and 40 minutes of movie.

I was certainly no Maradona. I was a very fast player. When I saw a space, I used it. When I went past somebody, he didn't catch up with me again. I was a player who came with a run-up. What Maradona could see in a small space, I saw over long distances.

I am fast and I always try to exploit that.

You can have the greatest characters in the world and write beautifully, but if nothing's happening, the story falls on its face pretty quickly.

I'm going to have to get used to the pace of the Premier League and the technical side of it. I had a little taste of it at Hull before they were relegated in 2017, but I've developed a lot as a player since then.

Messi is the more technical player of the two. He's better inside the area, the way he handles the ball and dribbles. You can see that he enjoys himself playing. Cristiano has a better body and is physically very strong. He has pace, speed and is a player with courage, and he can use both feet.

Raheem Sterling is a danger to every defence because of his pace and technique. If you let him go one against one, you are in trouble. He has that speed with the ball at his feet to make a difference.

We have to change my habits, so that when the worst case scenario happens, I don't start just swinging for the fences. I still stay composed, I pick technique over power and I push the pace that way.

As companies deal with the impact of technology and the incredible pace of change, they are fundamentally rethinking talent and family leave programs.

I'm a very slow reader - I read maybe three or four books a year - so I listen to podcasts and the occasional audiobook, and I watch TED talks.

When you're on a set it can be very tedious and slow. It's just not as big as when you see it on film.

Reading off a Teleprompter is an easy skill to do passably well and a difficult skill to do very well. I still have room for improvement there. I still talk too fast and I'm trying to slow myself down.

It's a director's job to tell a story and he's very well versed in telling stories with a bit of comedy in them and keeping the pace of the movie right and that's exactly what he did. He was observant of a world he didn't understand but he told a wonderful story.

You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace.

We need to temper the idea that this company has to have some earthshaking event every 15 minutes.