Quotes About Pace

I work very slowly.

If a thing is worth doing, it is worth doing slowly... very slowly.

Sometimes as an actor, it's really hard to give yourself permission to take your time and move slowly and not feel like you're holding people up or you should be going faster.

The kinds of films I like are the ones that take their time. If you reach an emotional pinnacle too early on in a film, that's kind of it. I think, as in real life, when you're getting to know someone, it starts off slowly.

I love to run and do it every day. I run slowly, by the way.

I read slowly, I watch movies slowly, because I retain everything.

I have slowly paced myself in movies, and I am pretty happy with what I have done there.

Even when we're keeping possession, I don't want to see the ball move slowly. What does that mean? When we pass it, we pass it with purpose.

I read hugely as a child, but I slowed up when the print got smaller. I am a very slow reader. I don't know why. Maybe it is like some people chewing their food for ages and some wolfing it down.

I'm a smaller guy, so I train at a high pace.

When you have the smaller guards - whether it be 6 feet, 6-2, 6-1, or under - they're the most energetic, and they set the pace, whether it be shoot-around, practice, and in the game.

I was okay with school. My sister Kourtney was extremely smart. I always read a little slower.

Archer has a loose-limbed approach in a run-up that is not very long. He gets into a good position at the crease and releases the ball late from a very high action. He snaps the ball down at genuine pace. He has rhythm to his bowling.

I like snappy dialogue and short descriptions and lots of action.

Keterpencilan kota itu mungkin lebih pada masalah waktu ketimbang jarak.

One can find time for everything if one is never in a hurry.

Chi non ha mai fretta trova il tempo per tutto.

He who does not hurry manages to get everywhere

Seseorang yang tak terburu-buru akan sampai ke mana-mana.

The degree of slowness is directionally proportional to the intensity of memory. The degree of speed is directionally proportional to the intensity of forgetting.

At a time when history made its way slowly, the few events were easily remembered and woven into a backdrop, known to everyone, before which private life unfolded the gripping show of its adventures. Nowadays, time moves forward at a rapid pace. Forgotten overnight, a historic event glistens the next day like the morning dew and thus is no longer the backdrop to a narrator's tale but rather an amazing adventure enacted against the background of the over-familiar banality of private life.

In times when history still moved slowly, events were few and far between and easily committed to memory. They formed a commonly accepted backdrop for thrilling scenes of adventure in private life. Nowadays, history moves at a brisk clip. A historical event, though soon forgotten, sparkles the morning after with the dew of novelty. No longer a backdrop, it is now the adventure itself, an adventure enacted before the backdrop of the commonly accepted banality of private life.

In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.

In a perfect world, I'd love to make 90-minute movies, but for me, a movie needs to be as long or short as it can sustain itself.