Quotes About Rhythm

Aquí me pongo a cantar Al compás de la vigüela Que al hombre que lo desvela Una pena estrordinaria, Como la ave solitaria Con el cantar se consuela.

El gran puente, el asunto de mi cabeza y los redobles que se van acercando a mi morada, después no sé lo que pasó, pero ahora es medianoche, y estoy atravesando lo que mi corazón siente como un gran puente.

She had to stay alert, ready to chivvy any of the hulking beasts who tried to slow down or escape, but now the herd had settled into a steady, drumming rhythm. This

As a general principle, the pacing of a level in any game, especially a game with physical challenges, should alternate between fast and slow periods, just as the tempo of movements in a symphony or the levels of excitement in an action movie vary. Players need moments to rest, both physically and mentally, and on the whole, the faster the pace of the level, the more important rest becomes.

Dancing games.

Baseball is a ballet without music. Drama without words.

A typical thought by way of example: at night, when we say we're going to sleep, and we get into bed and shut our eyes, we're not really asleep. We're just pretending. We shut our eyes and breathe rhythmically, pretending to be asleep, until the deceit grows slowly real. And maybe that's how it is with death.

Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby ' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.

Spontaneities offer one kind of pleasure and taste of sanctity, repetitions another equally pleasurable and holy.

Why am I afraid to dance, I who love music and rhythm and grace and song and laughter? Why am I afraid to live, I who love life and the beauty of flesh and the living colors of the earth and sky and sea? Why am I afraid to love, I who love love?

Pleasure exists in middle time, in time that is neither too accelerated or too slowed down.

There are those who dance the notes and those who dance the music.

There's no religion but sex and music.

For me, shooting, editing, and scoring rely on rhythm.

When I say dance music, it's anything that makes me want to dance. It could be Timbaland and Missy Elliott, but it could also be disco music and samba music: It's not relying on melody in the same way; it's more about rhythm.

Any kind of dance or house, remix type music, I really love that. That will really pump me up. I really love anything Beyonce - honestly, that would pump me up.

Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.

Usually a poem takes shape accoustically - a line or a pair of lines will repeat itself in my ear.

I really loved crunk. I loved the extreme nature of it, how repetitious it was, and how these basic, angry chants would just be repeated over and over again.

I began to write poetry in high school, and would ride miles over sandy roads in the fine hills around Cedar Rapids, repeating the lines over and over until I had them right, making some of the rhythm of the horse help.

I like mantras and repeating things, like in pop music, where you repeat a line over and over again. It's just so beautiful.

The process of repeating a rhythm while it gently evolves has an incredible effect on the brain, or on mine anyway.

It doesn't matter if you don't have a complete set of anything because repetition creates pattern, repetition creates pattern, repetition creates pattern.

There's this kind of dialogue between African music and dance music, especially Moroccan stuff, because it's kind of ceremonial and has built-in repetition.