Quotes About Rhythm

I do have a little rhythm.

When I write a song, it's all about the riff - the riff first, then the words come later.

When you hear Omarion, when you put it on at the right time on the right night in the right space, you're going to feel something and you're going to be inspired to move.

Some games you're going to be able to get rolling, you're going to get in a good rhythm, you're going to be able to get open looks. Other games, sometimes the rhythm's not there and you've got to get off it a little bit.

As soon as we wrote the beat for 'Romeo,' I knew it was a running song. I was thinking about it in terms of the body. What do you want to do? It's not a song you want to dance to.

When you're doing something every week, it's kind of routine.

I'm a big routine guy. I have to have everything in threes.

I believe in routine.

I love routines and love having something to look forward to.

I feel like a lot of runners in the NFL: the more they get the ball, the more they get into a rhythm.

Music runs my life. I can't imagine going a day without it.

When a game runs out of your hands is when you look for someone like Pogba to hold the team together and give them rhythm, but I feel he only plays for himself.

Running is very rhythmic, and I have written a lot of lyrics while out running. It's a very musical exercise, and sometimes I like to sing when I run. Your whole body is doing the same thing.

The heart of a music is its rhythm. The heart of rhythm section music is the rhythm.

Rap is the pulsation given by some, usually an electronic rhythm section, without any tonality, and you have someone reading high-school poetry.

While I live a busy life, the pace ebbs and flows.

There's a pace in TV I like.

I've always enjoyed things going at a nice pace, nothing too fast, nothing too crazy.

When it comes to pace, we know that I don't have a problem.

I like a certain style of show, I like a certain pace, I like a rhythm, I like a lot of comedy in with my drama.

I'm asthmatic. I was a lot bigger back then, and I still get winded on stage today. But I've learned how to pace it now. I have musical breaks in there.

A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.

Entering a novel is like going on a climb in the mountains: You have to learn the rhythms of respiration - acquire the pace. Otherwise you stop right away.

No matter how wonderful the story, it has to move on something, and that is language. The words that I use, the pace, the rhythm and cadences all need to be there. If they're not there, the story is like a boat that just sits there and doesn't move on the ocean.